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Who’s That Knocking at My Door (1967)
J.R. is a typical Italian-American on the streets of New York. When he gets involved with a local girl, he decides to get married and settle down, but when he learns that she was once raped, he cannot handle it. More explicitly linked with Catholic guilt that Scorsese’s later work, we see what happens to J.R. when his religious guilt catches up with him.
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All the Boys Are Called Patrick (1959)
Students Veronique and Charlotte meet the same man separately, who makes a date with each of them separately the next evening. When they both show up, he shows up, too, with a third woman.
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