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Earl Carroll Sketchbook (1946)
$15.00An aspiring singer and her lover, a songwriter who has desperately resorted to writing radio jingles, have many conflicts on their road to success…
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Girl Rush (1944)
$15.00During the California Gold Rush two down-on-their-luck vaudevillians attempt to become wealthy by bringing a girlie show to an all-male western mining town. Comedy.
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Moon Over Las Vegas (1944)
$15.00A beautiful woman goes to Las Vegas in a scheme to make her husbnd jealous, but once she gets there she becomes involved with another man.
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Swing Your Partner (1943)
$15.00Caroline Bird, the crotchety and stingy owner of Bird Milk Products, is not amused when her employees at the Dairyville factory, the oldest plant in the company, broadcast a special radio program in honor of her birthday. Employees Lulubelle, Scotty and Vera Vague, fed up with the terrible working conditions at Dairyville, cut into the broadcast, and Lulubelle asserts that Caroline is a “big hunk of cheese.” Lane, the factory manager, cannot find the culprit, and so Caroline goes with her secretary, Dale Evans, to Dairyville.
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Ice-Capades (1941)
$15.00By Republic Pictures standards, 1941’s Ice-Capades certainly qualifies as an “all-star” film. The many subplots center around a performance of the real-life Ice-Capades skating troupe, featuring such luminaries as Belita, Red McCarthy, Megan Taylor, and future Republic film queen Vera Hruba Ralston. James Ellison plays the nominal leading character, a hotshot newsreel cameraman named Bob Clemens. Assigned to film an international skating star in action, Clemens inadvertently wastes miles of celluloid on aspiring skater Marie (Dorothy Lewis) rather than the real star, the unphotogenic Karen Vajda (Rene Riano). But not to worry: With the help of slick showbiz promoter Larry Herman (Phil Silvers), Marie becomes an Ice-Capades headliner in her own right. In addition to Silvers, the comedy relief in Ice-Capades is in the capable hands of Vera Vague (Barbara Jo Allen), Jerry Colonna and Gus Schilling.
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Sing, Dance, Plenty Hot (1940)
$15.00In this musical, a con man makes a good living by promoting bogus charity shows. He gets the communities all revved up and then skips town with all their money. But then he meets three earnest people wanting to garner financial support for an orphanage. This time the con man’s loyal assistant finally catches on to the wicked scam and turns him in to the police. Meanwhile, the newly reformed assistant and one of the charity workers fall in loves.
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Born to Be Loved (1959)
$25.00Director Hugo Haas reprises the theme of romantic love in this routine yet innocent story of matchmaking. The setting is an overcrowded tenement building in which the residents seem to live beyond the reach of muggers or drug dealers or trigger-happy gangs because they mingle and mix in the halls as they energetically interact with each other.
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The Mad Doctor (1940)
$25.00Basil Rathbone is the batty physician of the title, a sophisticated gentleman who woos and weds several of his wealthy women patients. Unfortunately the ladies have a bad habit of dying prematurely, with the above-suspicion doctor diagnosing these deaths as the result of disease. Given the film’s title, it isn’t hard to figure out that the doctor has been knocking off his wives himself through sophisticated medical methods. An intriguing plot twist involves the doctor’s loyal male assistant (Martin Kosleck), who tampers with the buried bodies of the victims to hide the evidence; though it’s never made obvious by the script, it is implied that the doctor and his assistant have a strong sexual bond between them. The ex-fiance of Dr. Rathbone’s latest bride (Ellen Drew) saves the woman from suffering the fate of her predecessors, leaving Rathbone no recourse but a suicidal plunge off a skyscraper.
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