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Mad City (1997)
A misguided museum guard who loses his job and then tries to get it back at gunpoint is thrown into the fierce world of ratings-driven TV gone mad.
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Music Box (1989)
A lawyer defends her father accused of war crimes, but there is more to the case than she suspects.
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Betrayed (1988)
An FBI agent (Debra Winger) falls in love with a white supremacist (Tom Berenger) whose group she infiltrates.
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Eden Is West (2009)
Elias (Riccardo Scamarcio) is an immigrant in his twenties who tries to get to Europe by a boat along with other illegal immigrants. When the boat is near the Greek shores and they hope they will soon disembark, a marine patrol approaches and Elias jumps into the sea in order to avoid arrest. So do the other people in the boat. He wakes up next morning in a shore with nudists, which is not so bad after all, since he has lost some of his clothes while he was swimming for quite a few hours. He pretends to be a nudist himself, steals some clothes and he pretends he is an employee of the hotel “Eden Club-Paradise”.
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Ain’t Misbehavin (2013)
18 years after his last film, (The Troubles We’ve Seen), Marcel Ophuls emerges from retirement as one of our last masters, the most corrosive, the funniest as well. And the most forceful. The director of The Sorrow and the Pity shares with us stories of his exceptionally rich life in this light-hearted yet bitter escapade though the century and the movies. Son of the great Max Ophuls, he is generous in his admiration. We also meet Jeanne Moreau, Bertolt Brecht, Ernst Lubitsch, Otto Preminger, Woody Allen, Stanley Kubrick and of course François Truffaut. There are no great filmmakers without a memory, so here is the memory shop of Marcel Ophuls.
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What is Cinema? (2013)
Using the words and ideas of great filmmakers, from archival interviews with Alfred Hitchcock and Robert Bresson to new interviews with Mike Leigh, David Lynch, and Jonas Mekas, Oscar-winning filmmaker Chuck Workman shows what these filmmakers and others do that can’t be expressed in words – but only in cinema.
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Missing (1982)
Based on the real-life experiences of Ed Horman. A conservative American businessman travels to a South American country to investigate the sudden disappearance of his son after a right-wing military takeover. Accompanied by his son’s wife he uncovers a trail of cover-ups that implicate the US State department which supports the right-wing dictatorship.
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