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The Rise of Catherine the Great (1934)
In 1745 a German princess, renamed Catherine, arrives to marry Grand Duke Peter of Russia, whom she initially likes. But his suspicious, unstable nature gradually estranges them, and Peter finds solace with pretty courtiers. Catherine invents her own (fictitious) lovers, temporarily improving matters. Alas, accession to the throne brings out the worst in Peter, and loyal Catherine is urged to assume power.
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Morning Glory (1933)
Wildly optimistic chatterbox Eva Lovelace is a would-be actress trying to crash the New York stage. She attracts the interest of a paternal actor, a philandering producer, and an earnest playwright. Is she destined for stardom, or will she fade like a morning glory after its brief blooming?
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The Life of Jimmy Dolan (1933)
A boxer (Douglas Fairbanks Jr.) flees after accidentally killing a reporter; an old detective (Guy Kibbee) tracks him down.
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Parachute Jumper (1933)
An Air Force washout and his buddy room with a pretty young lady. Desperate for jobs during the Depression, they finally land employment with the mob.
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Little Caesar (1931)
A small-time hood shoots his way to the top, but how long can he stay there?
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Our Modern Maidens (1929)
Young vivacious Billie uses her charms on influential businessman Glenn Abbott in hopes of getting her secret fiancée Gil a diplomatic appointment. Meanwhile Gil’s affections meander to beautiful ingenue Kentucky, Billie’s best friend. After securing Gil’s appointment, Abbott is crushed to learn of Billie’s impending marriage. What Billie didn’t count on was Gil getting Kentucky pregnant. This throws her wedding day into scandal and creates turmoil in the lives of the youthful quartet.
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The Barker (1928)
A successful carnival barker deals with the arrival of his eager son, who he’d hoped would stay far from the carnival world, his son’s entanglement with a showgirl, and his own jealous mistress.
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The Power of the Press (1928)
An aspiring newspaper reporter investigates as a young woman suspected of murder.
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Wild Horse Mesa (1925)
Desperate for money, a rancher decides to trap and sell wild horses, using barbed wire. The local Navajo tribe tries to persuade him not to do it.
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