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Craze (1974)
Jack Palance stars as a demented art dealer & antique-shop owner who performs nightly rituals in honor of the African god Chuku, whom he believes will reward him with unimaginable wealth and power if he merely offers up human sacrifice. His methods are fairly creative, ranging from impalement, slashing and burning, to scaring people to death with an ooga-booga fright mask. But it’s all about to blow up in his face…
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David Copperfield (1969)
A made for TV movie of the Charles Dickens’ classic novel, turns Dickens’ picaresque tale into an extended flashback, with David Copperfield Robin Phillips as a young man, brooding on a deserted beach, recalling his youth. The characters are all trotted out in choppy flashbacks as David remembers his life as a young orphan, brought to London and passed around from relatives, to guardians, to boarding school.
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Crooks and Coronets (1969)
Two crooks are hired to rob an eccentric old lady’s estate, but once they get to know her, they can’t bring themselves to do it.
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The New Cinema (1968)
Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.
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The Whisperers (1967)
The Whisperers tells the story of an impoverished old woman living alone in a seedy apartment who enjoys a rich fantasy life as an heiress. When she discovers stolen money hidden by her son, she believes her fantasy has come true.
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Young Cassidy (1965)
Dublin playwright Sean O’Casey (Rod Taylor) loves a librarian (Maggie Smith), sleeps with a chorus girl (Julie Christie) and meets Yeats.
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The Chalk Garden (1964)
A grandmother seeks a governess for her 16 year old granddaughter, Laurel, who manages to drive away each and every one so far by exposing their past, with a record of three in one week! When an applicant with a mysterious past manages to get the job, Laurel vows to expose her. Meanwhile, Laurel’s married-divorced-married mother tries to get her back.
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Tom Jones (1963)
Tom loves Sophie and Sophie loves Tom. But Tom and Sophie are of differering classes. Can they find a way through the mayhem to be true to love?
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Look Back in Anger (1959)
A disillusioned, angry university graduate comes to terms with his grudge against middle-class life and values.
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