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Ride in the Whirlwind (1966)
Three cowhands, between jobs, have the bad dumb luck to pitch night camp in the same valley as a cabin full of guys who just robbed a stagecoach and killed the guard. Come morning, a posse arrives, forms up along the ridge, and takes for granted that everyone down below is guilty–fit for either shooting to bits or hanging from a tree, whichever comes first. Precisely half of Ride in the Whirlwind’s 82 minutes is devoted to tapping the matter-of-fact, absurdist horror of that situation. In the remaining half, the two surviving cowpokes (Jack Nicholson and Cameron Mitchell) seek shelter at a farmhouse where they reluctantly threaten the farmer, accept breakfast from his wife, flirt with his daughter (Millie Perkins), play some checkers, and hope to remain undetected till nightfall.
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The Wild World of Batwoman (1966)
The pointlessly-named Batwoman and her bevy of Batmaidens fight evil and dance.
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Attack of the Mayan Mummy (1964)
A scientist seeking loot of the Nile regresses a woman (Nina Knight) to her former self, a princess in ancient Egypt.
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Face of the Screaming Werewolf (1965)
Experimenting in hypnotic regression to past lives, Dr. Edmund Redding of the Cowan Institute in Pasadena has discovered that Ann Taylor is a reincarnated Aztec woman. Via her recovered memories, she is able to lead Redding and his associates to a hidden chamber in the Great Pyramid of Yucatan, where they hope to find the lost treasure of the Aztecs. Instead, they find two mummified bodies – one of a modern man, quite dead, and the other of an ancient Aztec, quite alive. They are able to return safely to Pasadena with both finds, but a rival professor, Janney, kills Redding and steals the body of the modern man-mummy. This he subjects to a resurrection experiment, which works – only the mummy proves to be a werewolf. This creature breaks free of Janney’s lab. Meanwhile, a hired thief sent by Janney to steal the other, living mummy, is overcome and that creature escapes also. Two supernatural menaces roam the city that night…
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