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Don’t Drink the Water (1969)
The Hollander family’s European vacation is interrupted when their plane is forced to land in Vulgaria. The Hollanders leave the plane to take pictures which results in accusations of spying. Chased by Vulgarian soldiers, they take refuge in the American Embassy under the protection of the absent ambassador’s hapless son.
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One, Two, Three (1961)
A Coca-Cola executive in West Berlin tries to keep the boss’s daughter from marrying a Communist.
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Born Yesterday (1950)
Uncouth, loud-mouth junkyard tycoon Harry Brock descends upon Washington D.C. to buy himself a congressman or two, bringing with him his mistress, ex-showgirl Billie Dawn.
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Counterspy Meets Scotland Yard (1950)
A federal agent (Howard St. John) joins forces with a British lawman (Ron Randell) to foil a spy ring.
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Sanctuary (1961)
Director Tony Richardson’s 1961 film adaptation of the William Faulkner tales “Sanctuary” and “Requiem For A Nun”, set in the American South, stars Lee Remick as a governor’s daughter who is raped by a bootlegger.
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Hank
Hank is an American situation comedy which is perhaps most notable for being an early example of a program with a true series finale, in which the underlying premise of the series reaches a natural conclusion with its final episode.
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Strait-Jacket (1964)
After a 20 year stay at an asylum for a double murder, a mother returns to her estranged daughter where suspicions arise about her behaviour.
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