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Holiday in Handcuffs (2007)
A ne er-do-well thirty-something (Melissa Joan Hart) attempts to appease her family by kidnapping herself an attractive boyfriend (Mario Lopez) for the family Christmas. Despite unlikely odds and dysfunctional family moments, the two fall in love and share a magical Christmas.
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The Story of Lassie (1994)
Documentary about canine superstar Lassie, combining film clips, still photographs, home movies, archival footage and on-camera interviews with many figures involved with the Lassie films or television series.
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The Night They Saved Christmas (1984)
An oil company is exploring two Arctic sites for oil. The needed blasting at the first site rocks Santa Claus’ North Pole village. He realizes that any blasting at the second site will destroy his home. He enlists the aid of a woman and her children to convince her husband (who works for the company) that the first site is where the oil they want is. Along the way, Santa explains all his secrets in delivering presents all around the world.
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Butterfly (1982)
Orson Welles, as judge Rauch, holds a lengthy trial against Jess Tyler, a caretaker deserted by his wife ten years before, who’s accused of improper relations with his daughter Kady. Complications follows when Wash, father of Kady’s baby, comes back to take her away.
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The Gift of Love (1978)
Inspired by O. Henry’s short story about a young bride and groom, each of whom foolishly–but quite lovingly–sacrifices a treasured possession to buy the perfect Christmas gift for their mate.
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T-Men (1947)
Two U.S. Treasury (“T-men”) agents go undercover in Detroit, and then Los Angeles, in an attempt to break a U.S. currency counterfeiting ring.
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Bury Me Dead (1947)
Murder and obsession abound in this fast-paced mystery based on a radio play that begins with one of the most startling openings ever filmed! Directed by Bernard Vorhaus (The Spiritualist) and lensed by film noir’s finest cinematographer, John Alton, this under-the radar gem stars June Lockhart, Cathy O’Donnell and Hugh Beaumont. Produced at the now-legendary “noir factory” of Eagle Lion Productions.
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She-Wolf of London (1946)
A young heiress finds evidence suggesting that at night she acts under the influence of a family curse and has begun committing ghastly murders in a nearby park.
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Son of Lassie (1945)
Laddie (Son of Lassie) and his master are trapped in Norway during WW2 – has he inherited his mothers famous courage?
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Dead Women in Lingerie (1991)
A private detective is hired to catch a serial killer who makes immigrant garment workers his victims.
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Lost in Space
Lost in Space is a science fiction TV series created and produced by Irwin Allen, filmed by 20th Century Fox Television, and broadcast on CBS. The show ran for three seasons, with 83 episodes airing between September 15, 1965, and March 6, 1968. The first TV season was filmed in black and white, but the remainder were filmed in color. In 1998, a Lost in Space movie, based on the TV series, was released.
Though the original TV series concept centered on the Robinson family, many later story lines focused primarily on Dr. Zachary Smith, played by Jonathan Harris. Originally written as an utterly evil but extremely competent would-be saboteur, Smith gradually becomes the troublesome, self-centered, incompetent foil who provides the comic relief for the show and causes most of the episodic conflict and misadventures. Smith was not in the un-aired pilot and neither was the robot. A meteor storm in the un-aired pilot put them off course. In the first aired episode, Smith’s sabotage and unintended presence caused them to go off course so that they encountered the meteors. In the un-aired version, they were going at such a relatively slow speed that they wondered if they were on Mars, while in the first aired episode, just seconds of hyper-drive and they were lost, unknown light years from Earth.
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Time Limit (1957)
Military investigator Colonel Edwards is assigned a case involving Major Cargill, a Korean War POW who is accused of treason. Although Cargill admits his guilt and Edwards’ superiors are impatiently pushing Edwards to move this case to court martial, Edwards becomes convinced of Cargill’s innocence.
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