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Dead Waves (2005)
When a television producer visits the home of a brother and sister to interview them for his series on paranormal phenomena, what first appears to be a simple case of psychopathology turns into a full-blown epidemic of demonic manifestation. To his horror he realizes that he is not only a witness to the blossoming insanity, filming each scream and horrific expression, but that he and his technology have been intricately tied to the cause and conduit of its spread…
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Balloon Relay (2012)
A middle school student named Kozue finds a red balloon with an SD card attached to it. On the SD card is an invitation to the wedding of two complete strangers. In order to escape her daily doldrums, Kozue decides to go to the wedding with her classmate, Kikuchi. However, along the way they cross paths with a pair of suspicious men, a mysterious girl, and a strange cop. When they finally make it to wedding, they get drawn into the fray of yet another unexpected situation.
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Like a Girl Playing House
Onchi Eiko, the proprietress of a bar, is trapped in a sad, hidden past. One day, an old friend Shigeko shows up with her 5-year-old son Daiji in tow. Shigeko entrusts him to Eiko and disappears after she leaves a farewell letter. As Eiko looks at the innocent Daiji, she is reminded of her own past. The two of them who have no one to turn to, begin a life together as fake mother and son in this peculiar and yet heartrending story.
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Kotaki Brothers and Shikuhakku
A slice of life comedy where Furutachi Kanji and Takito Kenichi play poor brothers Ichiro and Jiro respectively. Older one (Ichiro) is very serious while the younger one (Jiro) is trying to start rental father/uncle service and they have to deal with issues from their clients.
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Hoshi Shin’ichi no Fushigi na Fushigi na Tanpen Drama
Hoshi Shinichi is the “God of Short Stories” who published more than 1001 short stories during his lifetime, some of which are included in textbooks and continue to be read today. His stories often feature mystery, science fiction, or fantasy elements. A sometimes “humorous” and sometimes “cynic” look at society and mankind. Always short, but always surprising and unpredictable. Is it a poisonous allegory or a wake-up call? See some of his greatest gems come to life in this 2022 live-action adaptation
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I Lived in Kyoto for a While
After a new job and a month-long business trip to Osaka, Kana is back in Kyoto for a short stay! “What is the feeling of ‘loneliness’ when living in the crowded crowd in Tokyo?” Kana visited her uncle again with more questions. The owner of the bicycle shop, Oyama, the personal graphic designer Yoshida, the friend who is about to get married…, full of laughter conversations, leisurely roaming, in the process of meeting all kinds of people, get new inspiration from Kyoto’s philosophy of life…
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Hospitalité (2010)
In this black comedy the lives of a timid small-time printer and his young wife are turned inside out by the arrival of a stranger who moves in and takes over their world. Set in a village-like outpost in the heart of Tokyo, this is a wry commentary on Japanese xenophobia. Kiki Sugino heads a spritely ensemble cast.
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Be My Slave (2012)
Dan Mitsu stars as Kana, a female employee at a publishing company who strikes up a sexual relationship with a younger co-worker. He soon discovers that Kana’s fetishes extend to sadomasochistic tendencies, involving a mysterious man only known as “Sensei”. This discovery will push his relationship with Kana to a new, dangerous level that he may not be ready for.
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Au revoir l’été (2013)
3 years on from hospitalité, Kiki Sugino and Koji Fukada are back again with this socially-conscious film about a 18-year-old girl in-between adolescence and adulthood who spends a summer in a valley and enjoys romance. Sakuko, a 18-year-old girl studying for her university entrance exams, decides to accompany her aunt Mikie on a trip to a seaside town. There she befriends Takashi, a refugee from Fukushima who has dropped out of high school and works at a motel run by Ukichi, a friend of Mikie. In-between childhood and adulthood, Sakuko starts to understand the difficulties of becoming an adult.
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Passion (2013)
A singular deadpan comedy, The Passion tells a story of a young woman raised in a convent named Frances-ko (Mayuko Iwasa), after Saint Francesco. Distressed by not knowing about love and sex, she calls out for a sign from above, but instead hears a voice from below. A human-faced growth speaks to her from between her legs, constantly berating her, calling out “Woman, you are worthless!” Mr. Koga, as she names it, continues the verbal abuse, yet Frances-ko somehow adapts, forming an adversarial yet symbiotic relationship. This bizarre film, based on Kaoruko Himeno’s acclaimed 1997 novel of the same name, is skillfully directed by Ryoko Yoshida, lensed by veteran cinematographer Akiko Ashizawa, grounded by Iwasa’s show-stopping performance and enlivened by the hilarious Kanji Furutachi, who lends his voice to the chauvinistic Koga. The soundtrack boasts an unmissable eclectic score by legendary experimental musician and composer Otomo Yoshihide.
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