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Tovarich (1937)
Ousted from their homeland by the Bolshevik revolution, a royal Russian couple find themselves impoverished and living in Paris. They take positions as butler and housemaid in a wealthy household and, owing to their impeccable breeding and manners, excel in their new jobs. But once they are recognized for the royal couple they are, they must face new — and formidable — responsibilities.
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The Private Life of Don Juan (1934)
What do women want? Don Juan is aging. He’s arrived secretly in Seville after a 20 year absence. His wife Dolores, whom he hasn’t lived with in five years, still loves him. He refuses to see her; he fears the life of a husband. She has bought his debts and will remand him to jail for two years if he won’t come to her. Meanwhile, an impostor is climbing the balconies of Seville claiming to be Don Juan.
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The Great Garrick (1937)
A British actor insults a French acting group only to fall victim to a prank that might destroy his career.
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Garden of the Moon (1938)
A nightclub owner and a bandleader compete for the lead singer’s heart.
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Hit Parade of 1943 (1943)
One of the many films made at Republic with a year attached to the “Hit Parade” title, which came from the “Hit Parade” radio program sponsored by Lucky Strike cigarettes.
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The Petty Girl (1950)
An artist famous for his calendar portraits of beautiful women becomes fascinated by a prim and proper professor and tries to get her to pose for his arwork. She declines his offer, but he’s determined not to take no for an answer.
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Life Begins at Eight-Thirty (1942)
Kathy lives in a cramped New York flat with her father Madden Thomas, a celebrated actor brought down by drink. Lame from an early age and feeling trapped with her father in her small world, Kathy is delighted to meet fellow tenant Robert. When Madden is offered the lead in a new King Lear and Robert lands a composing job in Hollywood, better times seem for a while to beckon.
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The Dawn Patrol (1938)
In 1915 France, Major Brand commands the 39th Squadron of the Royal Flying Corps. The young airmen go up in bullet-riddled “crates” and the casualty rate is appalling, but Brand can’t make the “brass hats” at headquarters see reason. Insubordinate air ace Captain Courtney is another thorn in Brand’s side…but finds the smile wiped from his face when he rises to command the squadron himself. Everyone keeps a stiff upper lip.
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