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Lady in a Cage (1964)
A woman trapped in a home elevator is terrorized by a group of vicious hoodlums.
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Light in the Piazza (1962)
A young American woman traveling in Italy with her mother is slender, blonde, beautiful and there is something charmingly naive about her. Fabrizio Naccarelli seems to always know where the mother and daughter will sightsee next. Signor Naccarelli is just as concerned about where this will lead as Mrs. Johnson is. Then she starts thinking that perhaps her daughter can be a wife of a wealthy young man in a society where all she has to do is look beautiful. What happens if Signor Naccarelli finds out who his prospective daughter-in-law really is?
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The Proud Rebel (1958)
Searching for a doctor who can help him get his son to speak again–the boy hadn’t uttered a word since he saw his mother die in the fire that burned down the family home–a Confederate veteran finds himself facing a 30-day jail sentence when he’s unfairly accused of starting a brawl in a small town. A local woman pays his fine, providing that he works it off on her ranch. He soon finds himself involved in the woman’s struggle to keep her ranch from a local landowner who wants it–and whose sons were responsible for the man being framed for the fight.
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The Ambassador’s Daughter (1956)
While on leave in Paris, a G.I. pursues an ambassador’s daughter. Meanwhile she’s out to prove to her father that soldiers can be gentlemen, too.
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Not as a Stranger (1955)
Lucas Marsh, an intern bent upon becoming a first-class doctor, not merely a successful one. He courts and marries the warm-hearted Kristina, not out of love but because she is highly knowledgeable in the skills of the operating room and because she has frugally put aside her savings through the years. She will be, as he shrewdly knows, a supportive wife in every way. She helps make him the success he wants to be and cheerfully moves with him to the small town in which he starts his practice. But as much as he tries to be a good husband to the undemanding Kristina, Marsh easily falls into the arms of a local siren and the patience of the long-sorrowing Kristina wears thin.
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My Cousin Rachel (1952)
Olivia de Havilland and Richard Burton star in this adaptation of Daphne du Maurier’s gothic novel. In a reversal of Jane Eyre, it is the hero who arrives at the home of a mysterious woman. Rachel (de Havilland) is the widow of a Cornish man of property (John Sutton), who died in suspicious circumstances. Philip Ashley Burton is the dead man’s cousin, who in probing his relative’s demise immediately suspects Rachel — and goes on suspecting her even after he falls in love with her.
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The Heiress (1949)
Dull and plain Catherine (Olivia de Havilland) lives with her emotionally distant father, Dr. Sloper (Ralph Richardson), in 1840s New York. Her days are empty — filled with little more than needlepoint. Enter handsome Morris Townsend (Montgomery Clift), a dashing social climber with his eye on the spinster’s heart and substantial inheritance. William Wyler’s Oscar-winning film is an adaptation of the Henry James novel Washington Square.
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The Snake Pit (1948)
Olivia de Havilland stars in this look inside a state-run insane asylum.
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The Dark Mirror (1946)
De Havilland plays two roles in this entertaining psychological drama. A sister and her disturbed twin are implicated in a Hollywood murder and a police detective must figure out which one’s the killer.
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Devotion (1946)
In Victorian England, literary siblings Emily and Charlotte Bront vie for the affection of the Reverend Arthur Nichols. Along with their sister Anne, Emily and Charlotte also try to help their tormented brother Branwell, a gifted artist whose life is being destroyed by alcohol.
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Princess O’Rourke (1943)
A down-to-earth pilot (Robert Cummings) charms a European princess (Olivia de Havilland) on vacation in the United States.
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