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Miss Marple: The Moving Finger
$25.00The residents of a quiet English village begin to receive nasty, threatening letters. The wife of the local vicar calls in her friend Miss Marple to investigate.
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The Last Word (1979)
$15.00When politicians try to force out a renter in a corrupt real-estate deal, the man decides to take matters into his own hands. He takes a police officer hostage, hoping to expose the scam and save his home.
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Soft Beds, Hard Battles (1974)
$15.00In this comedy, set during the Nazi occupation of France, Peter Sellers plays most major male parts, so he stars in nearly every scene, always bumbling in inspector Clouseau-style. As British Major Robinson he is hidden in Madame Grenier’s Parisian brothel, right under the nose of the Nazi clients, such as Gestapo agent Herr Schroeder (again him). As Général Latour he leads the French resistance, which includes the brothel madam -made a colonel in charge of her sexy ‘troops’- and a priest, and is joined by young US diplomat Alan Cassidy. As Japanese imperial Prince Kyoto he becomes a target for the resistance in a monastery on his way to Hitler (again him). At the end he decorates the heroes as French president. Written by KGF Vissers
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There’s a Girl in My Soup (1970)
$15.00TV personality Robert Danvers, an exceedingly vain rotter, seduces young women daily, never staying long with one. He meets his match in Marion, an American, 19, who’s available but refuses any romantic illusions.
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The Family Way (1966)
$15.00Following the wedding of young Jenny Piper and Arthur Fitton (Hayley Mills and Hywel Bennett), a rowdy reception is held at a local pub where the newlyweds are subjected to much well-meaning but vulgar ribaldry. The couple returns to the Fitton home to spend their first night together before leaving for a honeymoon in Majorca, but they are followed by some of the wedding guests who keep the party going until early morning. Worse yet, when the youngsters finally are permitted to retire, their bed collapses as the result of a practical joke.
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Suspect (1960)
$15.00A government team researching cures for plague find their results put on the Official Secrets list. One of their number is so incensed by this that he lets the maimed and jealous companion of a female colleague draw him into what, technically, could be a treasonable act.
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I’m All Right Jack (1959)
$15.00Naive Stanley Windrush returns from the war, his mind set on a successful career in business. Much to his own dismay, he soon finds he has to start from the bottom and work his way up, and also that the management as well as the trade union use him as a tool in their fight for power.
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Carlton-Browne of the F.O. (1959)
$15.00Great Britain has had an international agreement for the last 50 years with a small pacific island. It has been ignored until the death of their king brings it to the attention of the Foreign Office in Whitehall. They decide to send Cadogan de Vere Carlton-Browne to re-establish friendly relations.
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Run for the Sun (1956)
$15.00Mike, a Hemingway-esque adventure novelist, is spending his days in a self-imposed exile somewhere in Central America. A reporter for Sight Magazine, Katie, has tracked him down in the hope of getting the biggest scoop of her career. Mike falls for Katie. On a flight to Mexico City, their plane crashes near a remote hideaway of Nazi war criminals in hiding. The Nazis want to stay hidden and plan to dispose of their new guests
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Private’s Progress (1956)
$15.00Stanley Windrush has to interrupt his university education when he is called up towards the end of the war. He quickly proves himself not to be officer material, but befriends wily Private Percival Cox who knows exactly how all the scams work in the confused world of the British Army. And Stanley’s brigadier War Office uncle seems to be up to something more than a bit shady too – and they are both soon working for him, behind the enemy lines.
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Brighton Rock (1947)
$15.00Centring on the activities of a gang of assorted criminals and, in particular, their leader – a vicious young hoodlum known as “Pinkie” – the film’s main thematic concern is the criminal underbelly evident in inter-war Brighton.
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