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The Cheese Mites, or Lilliputians in a London Restaurant (1901)
A jovial looking man is seated nearest the window of a restaurant. He has just finished his meal and the waiter brings a glass of beer, and when he places the glass upon the table, lo, a little sailor boy about six inches high appears from the foam, and climbing down the side of the glass, proceeds to dance a sailor’s hornpipe on the table.
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A Perilous Proceeding (1901)
At a building being constructed at Broadway and 13th Street in Manhattan, a boom or crane from which a platform is suspended on a cable first pulls the platform up, then swings it out from the top floor where it’s been resting, and then gradually lowers it seven-plus stories to the ground below. On it at least 11 men stand or hold on to the cable. All wear dark coveralls and hats. They wave toward the camera. At the ground and on the lower floors, other workers are busy. This picture was taken by means of a special apparatus which enabled the camera to follow the men as they were lowered to the ground.
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Trapeze Disrobing Act (1901)
The stage of a vaudeville theatre. A lady in evening costume is performing on a trapeze. Two Rubes are seated in a box. The lady begins to disrobe, and here the fun commences. As she removes her garments one by one and throws them at our rural friends, they begin going through antics, which to say the least, are highly amusing. When the stockings come off, the climax takes place. The Rubes jump from their seats and make things lively for a short time in the theatre.
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Terrible Teddy, the Grizzly King (1901)
Our presidential hunter runs across the landscape and falls down in the snow, gets up with his rifle, and gazes upward at a treed animal which isn’t in the camera’s view. He fires a shot into the tree, then leaps on the ground to grab the fallen prey, a domestic cat, finishing it off with wild blows of his hunting knife while his companions, a photographer and a press agent, record the event that will be reported far and wide as a manly moment. Teddy then rides out of the forest followed by two companions afoot, never mind that they all originally arrived afoot. Perhaps it was funnier in its day than it is now, but apparently shooting cats was regarded as funny in those days. The larger point was to use a minor whimsy as a political criticism, in this case of Teddy Roosevelt’s easy manipulations of the press. It was based on two frames of a political cartoon that had appeared in the paper a mere week before the film was made.
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