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Godzilla, King of the Monsters! (1956)
$15.00A 400-foot dinosaur-like beast attacks Tokyo. Filmed in 1954 as Gojira, this grandaddy of all Japanese giant-reptile epics was picked up for American distribution two years later, at which time several newly filmed inserts, featuring Raymond Burr as reporter Steve Martin, were edited into the original footage.
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Terror at Midnight (1956)
$15.00A newly promoted police sergeant discovers his girlfriend my be involved with a gang of car thieves.
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Our Miss Brooks (1956)
$15.00The big-screen translation of the successful television show of the 1950’s. Arden stars as Connie Brooks, wisecracking high school English teacher, who finally ties the knot with shy biology teacher Philip Boynton.
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Farewell to Dreams (1956)
$15.00A coming-of-age story portrayed as the loss of all youthful illusions. Sixteen-year-old Yoichi dreams of becoming a sailor. His parents are fishmongers, and Yoichi lives together with them and his four siblings in cramped living conditions. His beloved younger sister is given to a wealthy, childless uncle; his best friend moves away; the girl he fell in love with from afar is with someone else: little by little, Yoichi loses all the people that are important to him.
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The Black Tent (1956)
$15.00The Black Tent is a 1956 British war film directed by Brian Desmond Hurst and starring Donald Sinden, Anthony Steel, Anna Maria Sandri, André Morell and Donald Pleasence. It is set in North Africa, during the Second World War and was filmed on location in Libya.During the British retreat through Libya, a British officer takes shelter with a group of Arab Bedouin. He marries the chief’s daughter. Sometime later his younger brother, who had believed him to be dead, is informed that he may be alive in Libya – prompting him to set out and search for him.
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Walt Disney's Where Do the Stories Come From? (1956)
Walt Disney’s Where Do the Stories Come From? (1956)
$15.00Walt answers the often-asked question of just where the stories for his studio’s cartoons come from, which is from practically anywhere.
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Night River (1956)
$15.00In Kyoto a young kimono maker with traditional ideas gets involved with a married professor.
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Bond of Fear (1956)
$15.00An escaped killer hides out by forcing a travelling family to take him with them.
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Blonde Bait (1956)
$15.00Seeking the whereabouts of international gangster Nick Randall, the US State Department contacts Scotland Yard, as his girlfriend, Angela Booth, is currently in a British prison. Angela has refused to give Nick up to the law, so the combined authorities arrange for Angela to escape, aided by stoolie Gran’ Ramsey who is at the same prison. The police will then follow Angela to Nick. Gran’ stages the getaway, and the two women, accompanied by a third convict, Marguerite, whose prison-born baby is about to be turned over to welfare authorities. It is up to Gran’ to keep the police informed of Angela’s movements without being detected by the escapees, until Angela contacts Nick. This film is a reworking of principal footage from the UK film WOMEN WITHOUT MEN (1955), q.v., which, with added new footage (including scenes with original star Beverly Michaels), significantly revises the plot and central characters from a story about a wrongly imprisoned waif to one about a gangster’s moll.
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Mohawk (1956)
$15.00An artist working in a remote army post is juggling the storekeeper’s daughter, his fiancée newly arrived from the east, and the Indian Chief’s daughter. But when a vengeful settler manages to get the army and the braves at each other’s throats his troubles really begin.
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Over-Exposed (1956)
$15.00This titillating bit of pulp sensationalism was the last in a string of “B” films that Cleo Moore starred in at Columbia. Moore plays Lila Crane, an ambitious clip-joint floozie turned photographer with flexible morals and a penchant for fast money.
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