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The Fine Art of Separating People from Their Money (1998)
An examination of the evolution of commercials as an artistic medium, featuring interviews with media luminaries who relate how the in-your-face stylistic conventions of commercials have influenced feature films and the visual arts. A documentary film talking about art and advertising divided in three parts: 1. Crossing Over – from cinema to ads from ads to cinema 2. Humour – How humour affects us in advertising 3. Shock – The way shock is used to sell
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The Codes of Gender (2010)
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture’s inability to let go of reactionary gender representations. Jhally’s starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman’s analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
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The Real Mad Men of Advertising
Follow the evolution of advertising from the 1950s through the 1980s, via interviews with the industry’s top ad executives, and through classic ads and commercials.
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Every Home Should Have One (1970)
Teddy, working at an advertising agency, has to come up with a campaign for frozen porridge.
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I’ll Never Forget What’s’isname (1967)
Advertising golden boy Andrew Quint is fed up with his fabulously successful life. In very dramatic fashion, he quits his job to return to writing for a small literary magazine. He wants to leave his former life behind, going as far as saying good-bye to his wife and mistresses. He finds, however, that it’s not so easy to escape the past.
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Return of the Goat II: New World Order (2021)
The goatman is back, and he’s out to get you. Are you fast enough to out-ride the legendary creature?
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It Should Happen to You (1954)
Gladys Glover has just lost her modeling job when she meets filmmaker Pete Sheppard shooting a documentary in Central Park. For Pete it’s love at first sight, but Gladys has her mind on other things, making a name for herself. Through a fluke of advertising she winds up with her name plastered over 10 billboards throughout city.
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All By Myself (1943)
Career woman Jean. almost a partner in Mark’s advertising firm, has been falling in love with Mark, who of course is unaware of it. But unknown to Jean, Mark has become engaged to singer Val. When Jean finds out she tries to save face by saying that she is also engaged, and then uses a little social blackmail to get psychiatrist Bill Perry to pretend to be her fiancé for an evening out with Mark and Val.
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