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The Living Idol (1957)
An archaeologist believes a Mexican woman is the reincarnation of an Aztec princess.
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Saadia (1953)
Saadia is a wild, strange Arab girl whose life has been dominated by a local sorceress, a vengeful outcast in the community, who has convinced her she has the “evil eye” and brings disaster to all who love her. French doctor Henrik takes her to his clinic, for rehabilitation purposes, and falls in love with her as does his friend, Si Lahssen, the reigning prince of this small Moroccan state. When a plague falls on the town, Saadia is convinced she is responsible, and rides alone into the mountain country to retrieve the plague serum being held for ransom by bandits. The love triangle dominates most of the rest of the film.
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The Picture of Dorian Gray (1945)
Dorian Gray, wishing to remain young and handsome for eternity, essentially sells his soul so that a portrait can age instead of him. Over the course of the years, Dorian commits every sort of sin, heavily influenced by his friend Lord Henry Wotton. But as his life goes on, he slowly realises the emptiness and evil which he has succumbed to.
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The Moon and Sixpence (1942)
Loosely inspired from Gauguin’s life, the story of Charles Strickland, a middle-aged stockbrocker who abandons his middle-classed life, his family, his duties to start painting, what he has always wanted to do. He is from now on a awful human being, wholly devoted to his ideal: beauty.
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Smilin’ Through (1932)
John has lead a solitary life for thirty years since the death of Moonyeen Clare. But now Owens, a close friend, insists that he care for his niece, Kathleen, orphaned when her parents were lost at sea. Kathleen is five, but the years pass and now she is a young woman who is the image of Moonyeen. Willy wants Kathleen for his wife, but Sparks fly when she meets Kenneth Wayne one dark and stormy night. John is horrified for it was Wayne’s father who shot Moonyeen dead on her wedding day and John has never found him or forgiven the family. When Ken goes off to war, John forbids any marriage and Ken agrees, while Kathleen does not. When Ken returns four years later when the war is over, he is crippled. He conceals his condition and makes plans to leave for America.
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The Private Affairs of Bel Ami (1947)
A self-serving journalist (George Sanders) uses influential women in late-1800s Paris and denies the one (Angela Lansbury) who truly loves him.
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