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The Love-Ins (1967)
A college professor falls in with the counterculture crowd in San Francisco after resigning from his position in solidarity with two expelled hippie students.
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The Quare Fellow (1962)
Thomas Crimmins is a new warder, or guard, in an Irish prison. He is young, naive, and idealistic, determined to serve his country by his part in meting out justice to criminals. His superior, Regan, however, realizes that even prisoners are human beings, and Regan is sick of the eye-for-an-eye attitude that leads the state to execute condemned men, or “quare fellows.” Crimmins begins to see that not all is black and white in his new world, and when he becomes involved with Kathleen, the wife of one of the condemned men, his attitude begins to change. When new evidence arises to suggest that Kathleen’s husband may not deserve his fate, Crimmins is torn between his duty and his humanity.
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Le dernier Blitzkrieg (1959)
War – In the last days of WW2, a German soldier named Kroner, leads a band of saboteurs on a mission to infiltrate the Allied troops. When his true identity is revealed, Kroner must make a choice; stay true to the Third Reich or to break from all that he has known and lead a “last blitzkrieg”. – Van Johnson, Kerwin Mathews, Dick York
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Little Miss Broadway (1947)
Judy Gibson (Jean Porter), upon leaving finishing school, goes to meet her relatives, whom she believes to be wealthy and socially prominent. Actually, there are penniless Broadway characters and, in order to avoid Judy learning the truth, they take possession of a Long Island mansion owned by a thief presently doing time in Sing Sing. Judy arrives with her fiancé Dick Nichols (John Shelton) and his father, an industrialist who tries to sell worthless stock to Judy’s family in order to bolster his shaky financial status. They give him $200,000, part of the stashed loot they found belonging to the home-owner thief. The latter escapes from prison.
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Betty Co-Ed (1946)
The plot gets under way when Joanne, a carnival hootchy-kootchy dancer, is accepted into a snobbish college sorority when it is assumed that she hails from a blueblooded Virginia family.
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Melody Parade (1943)
The owner and staff of a Hollywood nightclub struggle to keep their establishment from closing.
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Sarong Girl (1943)
A dancer in a girlie show plots revenge when a judge orders her show closed.
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Baby Face Morgan (1942)
This homey little comedy is predicated on the notion that bucolic country boy Morgan (Richard Cromwell) is the son of a notorious Roaring-Twenties racketeer. Morgan Senior’s former gang, pining for their glory days, appoint “Baby Face” Morgan as their leader and resume their criminal activities. Their strategy is sublime: with the FBI busily beating the bushes for Nazi spies, who’s going to pay attention to a bunch of middle-aged Prohibition gangsters? Unaware that he’s being used as a figurehead, Morgan gets mixed up in a crooked insurance scheme, but by film’s end he’s figured out a way to clear himself and the mob, with everyone learning a lesson in the process. Reviewers in 1942 were amused by Baby Face Morgan but deplored its threadbare production values, noting that at one point the klieg lights could be seen reflecting on the bald dome of supporting player Vince Barnett!
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Reg’lar Fellers (1941)
Based on the comic strip by Gene Byrnes, the “Reg’lar Fellers”, and one girl-feller, tinker with building a land/water machine, form a kid-band and go on the radio, celebrate a birthday, get involved with gangsters…and reunite a wealthy recluse with her baby granddaughter and estranged daughter-in-law.
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Riot on Sunset Strip (1967)
A police captain (Aldo Ray) is caught between businesses operating on the Los Angeles Sunset Strip who don’t like the punks hanging out, and his belief in allowing the kids their rights. But when his daughter (Mimsy Farmer) gets involved with an unruly bunch, his attitude starts to change.
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