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Feudin’ Fools (1952)
Sach discovers that he is heir to a farm in rural hillbilly country. He and the boys go to the farm to check it out, and find themselves mixed up with feuding hillbillies and a gang of bank robbers.
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Blonde Trouble (1937)
Fred Stevens is an aspiring songwriter from Schenectady who journeys to New York City, hoping to make a name for himself. On the train he meets dental assistant Edna Baker, and the two embark upon a friendship that evolves into her falling for him. While struggling in Tin Pan Alley, Fred falls in with his composer partner’s gold-digging sister-in-law Eileen. Eileen really becomes interested when she finds out Fred is carrying his life savings.
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Drift Fence (1936)
Although Larry “Buster” Crabbe earns top billing, the hero of Drift Fence is former Western star Tom Keene as Jim Travis, who, at a rodeo, meets city dweller Jim Traft (Benny Baker), who has come west to erect a fence that will prevent Clay Jackson (Stanley Andrews) from continuing his cattle rustling business. A tough Western type, Travis suggests that he impersonate Traft and the building of the fence soon begins. But Travis is opposed by Slinger Dunn (Crabbe) and his family, whose small ranch will suffer from the division of the land. A romance between Travis and Slinger’s sister, Paula (Katherine DeMille), paves the way for a meeting of the minds, however, and Slinger switches sides completely upon learning that Travis is a Texas Ranger in disguise. An in-house production (as opposed to Harry Sherman’s Hopalong Cassidy Westerns), Drift Fence was the closest Paramount came to a B-Western in the mid-’30s. Zane Grey’s original novel was published in 1932.
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Mind Your Own Business (1936)
Nature reporter Orville Shanks retreats to the woods for material for his “Our Wild Friends” column and to volunteer for his favorite cause, the Boy Scouts. When Orville’s editor, Crane, orders him to spice up his column, Orville’s wife Melba writes a gossip column using animals as metaphors for people. Crane loves Melba’s article and gives Orville a raise, and the column becomes a hit.
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