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The Spy in the Green Hat (1967)
“Spy in the Green Hat, The (1966)” on the other hand, is both exciting AND funny. Especially the scene where Napoleon Solo (Robert Vaughn) hides from THRUSH agents under a young woman’s (the incredibly cute Letícia Román) bed and is caught by the woman’s grandmother (Penny Santon), who is forcing Solo to marry the young woman. He successfully escapes, but is hunted by a legion of stereotyped Italian gangsters. Now that’s comedy.
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Guns of Diablo (1965)
Bronson and Russell are up against some bad guys who run the town to which the pair have gone for supplies. Bronson runs into an old girl friend, Oliver, who is now married to his enemy Merlin. Bronson had long ago broken Merlin’s arm, and now the man wants revenge.
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Stranger on the Third Floor (1940)
Newspaper reporter John McGuire plunges into a nightmare of guilt, fearing that his “evidence” has sentenced the wrong man to death. A stunning example of cinematic expressionism, cited by many as the first studio film shot in a completely noir style. Peter Lorre virtually reprises the eerily convincing persona he created in Fritz Lang’s M, adding an emotion-wringing melancholia to his performance as a paranoid, lost soul. Featuring the astounding art direction of Van Nest Polglase and the brilliant cinematography of Nicholas Musuraca, as well as reportedly uncredited script work by Nathanael West (The Day of the Locust)!
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