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Cheaters (1934)
A criminal gang is after a rich man’s money. A female member of the gang gets the bright idea of getting him to marry her, then getting a healthy settlement after a quick divorce.
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Safe in Hell (1931)
After killing an ex-boyfriend in New Orleans, a prostitute flees to a Caribbean island. There the vicious local police chief sets his sights on her, unaware that she is a fugitive.
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Man Trouble (1930)
A hard-boiled nightclub owner saves a beautiful young girl from drowning. He promptly falls in love with her, but she prefers a younger, more-genteel lover.
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The Barker (1928)
A successful carnival barker deals with the arrival of his eager son, who he’d hoped would stay far from the carnival world, his son’s entanglement with a showgirl, and his own jealous mistress.
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His Captive Woman (1929)
Cabaret dancer Anna Janssen kills her sugardaddy and escapes to a South Seas island on the yacht of a wealthy admirer. Stolid, conscientious Tom McCarthy, a New York detective, is sent after Anna and arrests her, chartering a steamer to bring her back to the United States. The steamer sinks, and Anna and Tom are stranded on a small island. They fall in love, and Tom’s influence brings about a benign change in Anna’s character. They are rescued, however, and Anna is placed on trial for her life. Tom takes the stand in her defense and informs the judge of Anna’s conversion in the solitude of the island. The judge instructs Tom to marry Anna and then sentences them to life–on the island where they found happiness together.
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The Flirting Widow (1930)
A stern father insists his older daughter must have a husband first before her younger sister can marry, so the elder sibling creates a fictitious fiancé, who she then announces has been killed. No one is more surprised than older sis, however, when her dead, imaginary sweetheart comes knocking at the door. Comedy.
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The Reckless Hour (1931)
Seduced and abandoned, with child, by a charming cad, a former New York fashion model learns to detest the male race in general until befriended by a warm-hearted artist-type who shows her that life — and men — ain’t so bad in this early talkie drama.
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