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Dude, Where’s My Car? (2000)
Jesse and Chester, two bumbling stoners, wake up one morning from a night of partying and cannot remember where they parked their car. They encounter a variety of people while looking for it, including their angry girlfriends, an angry street gang, a transexual stripper, a cult of alien seeking fanatics, and aliens in human form looking for a mystical device that could save or destroy the world.
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The Big Lebowski (1998)
Jeffrey “The Dude” Lebowski, a Los Angeles slacker who only wants to bowl and drink white Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.
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Sunset Trail (1939)
Disguising himself as a milquetoast Easterner who writes Western novels, Hoppy enrolls in a dude ranch in order to unmask the murderer of the owner’s husband.
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The Dude Ranger (1934)
An Easterner Inherits a cattle ranch, only to discover that thousands of cattle have been stolen. He secretly signs on as a hired hand at his own ranch to discover who’s stealing them.
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The Rider of the Law (1935)
Bob Marlow is sent undercover to an Arizona town where an outlaw gang, comprised of the six Tolliver brothers, have taken over the town and terrorizing the citizens. He comes to town, posing as an Eastern dude, and, through a series of incidents manages to get rid of three of the brothers, mostly through their own ineptness. The remaining brothers decide to get-while-the-gettin’-is good, rob the bank and head for the Mexican border. But Bob isn’t far behind.
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Pocketful of Miracles
Damon Runyon’s fairytale, sweet and funny, is told by director Frank Capra. Boozy, brassy Apple Annie, a beggar with a basket of apples, is as much as part of downtown New York as old Broadway itself. Bootlegger Dave the Dude is a sucker for her apples — he thinks they bring him luck. But Dave and girlfriend Queenie Martin need a lot more than luck when it turns out that Annie is in a jam and only they can help: Annie’s daughter Louise, who has lived all her life in a Spanish convent, is coming to America with a Count and his son. The count’s son wants to marry Louise, who thinks her mother is part of New York society. It’s up to Dave and Queenie and their Runyonesque cronies to turn Annie into a lady and convince the Count and his son that they are hobnobbing with New York’s elite.
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