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Brewster’s Millions (1945)
Monty Brewster is a pennyless, former U.S. Army soldier back from World War II Europe who learns that he has inherited $8 million from a distant relative. But there’s a catch: he must spend $1 million of that money in less than two months before his 30th birthday in order to inherit the rest.
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Buck Benny Rides Again (1940)
Radio star Jack Benny, intending to stay in New York for the summer, is forced by the needling of rival Fred Allen to prove his boasts about roughing it on his (fictitious) Nevada ranch. Meanwhile, singer Joan Cameron, whom Jack’s fallen for and offended, is maneuvered by her sisters to the same Nevada town. Jack’s losing battle to prove his manhood to Joan means broad slapstick burlesque of Western cliches.
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The Green Pastures (1936)
God, heaven, and several Old Testament stories, including the Creation and Noah’s Ark, are described supposedly using the perspective of rural, black Americans.
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Birth of the Blues (1941)
Jeff grows up near Basin Street in New Orleans, playing his clarinet with the dock workers. He puts together a band, the Basin Street Hot-Shots, which includes a cornet player, Memphis. They struggle to get their jazz music accepted by the cafe society of the city. Betty Lou joins their band as a singer and gets Louie to show her how to do scat singing. Memphis and Jeff both fall in love with Betty Lou.
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Cabin in the Sky (1943)
Chronic gambler and carouser “Little” Joe Jackson is shot by Domino Johnson at Jim Henry’s gambling club over an outstanding gambling debt. Little Joe’s wife, the God-fearing Petunia Jackson, prays not only for her husband’s mortal life, but also his eternal soul as she’s afraid that if he dies now, he, despite not being an evil man, won’t make it into heaven. As Little Joe is close to death, he is visited by agents of both the Lord and of Lucifer. They make a deal with him: they will give him six months to atone for the errors of his human life. Once back on Earth, he won’t remember the deal but both the Lord and Lucifer will be watching over him, trying to get him to see things their way. As both sides try to get Little Joe’s soul, they figure that some of the most powerful tools they have at their disposal are the women in Little Joe’s life: Petunia on behalf of the Lord, and Georgia Brown, a gold-digging floozy, on behalf of Lucifer.
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