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I Don’t Kiss (1991)
A good-looking but naive lad leaves his mountain village to try and make his way in Paris. He thinks maybe he will try acting but things don’t go too well for him. Eventually he is forced to sell himself to men and though he meets an attractive girl she is herself a prostitute with a vicious pimp.
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Priceless Beauty (1988)
A rock-star who stopped singing after the death of his brother finds a female genie in a vase. She tries to help him live again.
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How Good the Whites Are (1988)
Ya bon les blancs depicts a fiercely farcical fable-like vision from Ferreri’s typically ruthless perspective where naïve white liberals attempt to give starving African spaghetti and tomato sauce as aid, ugly Italians attempt boning bloated black native broads, a Catholic priest is gang-raped while he eats Russian chicken and stares at the starved corpse of a preteen negro boy, a deranged jigaboo wearing a white mask claims to whites that he is a real white man and that they are imposters that must leave, and a group of cannibalistic negroid nomads who eat two crackers that dare to sully their magical waterhole. (cont. http://www.soiledsinema.com/2014/08/how-good-whites-are.html?zx=4dfcfb7d2366e8ba)
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Ballet (1989)
An American ballerina arrives in Hungary to enroll in a ballet school and it soon becomes apparent that things are not what they seem.
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