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Wild Stallion (1952)
A young orphan grows into adulthood, all the while searhing for his beloved white horse that disappeared years earlier.
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Pier 23 (1950)
Pier 23 was one of three hour-long mysteries produced by Lippert Productions for both TV and theatrical release. Each of the three films was evenly divided into two half-hour “episodes,” and each starred Hugh Beaumont as San Francisco-based amateur sleuth Dennis O’Brien. In Pier 23, O’Brien first tackles the case of a wrestler who has died of a suspicious heart attack after refusing to lose a match. He then agrees to help a priest talk an escaped criminal into returning to prison. The film’s two-part structure leads to repetition and predictability, but it’s fun to watch TV’s “Ward Cleaver” making like Philip Marlowe.
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Money Madness (1948)
A murderous bank robber on the run from the law hides out in a small town.
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Bury Me Dead (1947)
Murder and obsession abound in this fast-paced mystery based on a radio play that begins with one of the most startling openings ever filmed! Directed by Bernard Vorhaus (The Spiritualist) and lensed by film noir’s finest cinematographer, John Alton, this under-the radar gem stars June Lockhart, Cathy O’Donnell and Hugh Beaumont. Produced at the now-legendary “noir factory” of Eagle Lion Productions.
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Railroaded! (1947)
A mobster frames an innocent man for the killing of a cop during a bookie joint holdup being run in the back of a beauty salon. Can Police Sgt. Mickey Ferguson be convinced that his girlfriend’s brother is being railroaded?
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Blonde for a Day (1946)
Hugh Beaumont stars as detective “Michael Shayne” in this 1946 B-film.
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Larceny in Her Heart (1946)
In the second of the PRC “Michael Shayne” series,civic crusader Burton Stallings hires private detective Michael Shayne to locate the former’s missing step-daughter Helen. Shayne discovers that Stallings himself has had Helen confined in an asylum in order to obtain her money.
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The Lady Confesses (1945)
A woman is visited by her fiance’s wife — thought to be long dead. Soon the woman and her boyfriend get mixed up with a gangster and even murder.
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The Seventh Victim (1943)
A young woman searches for her missing sister who, unknown to her, has become involved with a group of Satan worshippers in Greenwich Village.
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Murder Is My Business (1946)
Michael Shayne is a private detective who is disliked greatly by Pete Rafferty, local chief of police detectives. Rafferty notifies the newspaper press that he is going to close Shayne’s agency, just as Michael is about to be hired by the wealthy Eleanor Ramsey, who is being blackmailed. She is the stepmother of what she considers to be two grown-up brats, Dorothy and Ernst, and she considers their father to be of little value to the world himself. They all conspire to get their hands on her money, even to the extent of attempting to hire Shayne to frame an insurance robbery. Mrs. Ramsey is murdered, and Rafferty is trying to pin the killing on Shayne, despite the fact that suspicion points to Buell Renslow, brother of the slain woman. Shayne’s secretary, the fetching Phyllis Hamilton, decides to do a little detective work to help her boss.
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Overland Telegraph (1951)
Not to be confused with the 1929 film The Overland Telegraph, this Western from director Lesley Selander stars Tim Holt as a cowboy appropriately named Tim Holt. In order to hinder the construction of a new telegraph line for his own financial gain, scheming shopkeeper Paul Manning (George Nader) enlists the assistance of a gang of outlaws led by Brad Roberts (Hugh Beaumont in one of his many pre-Leave it to Beaver roles). Unfortunately for the bad guys, Holt and his cohort Chito Rafferty (Richard Martin) sense that there’s foul play afoot and embark on an investigation.
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