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Craze (1974)
Jack Palance stars as a demented art dealer & antique-shop owner who performs nightly rituals in honor of the African god Chuku, whom he believes will reward him with unimaginable wealth and power if he merely offers up human sacrifice. His methods are fairly creative, ranging from impalement, slashing and burning, to scaring people to death with an ooga-booga fright mask. But it’s all about to blow up in his face…
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The Final Programme (1973)
After the death of his Nobel Prize-winning father, billionaire physicist Jerry Cornelius becomes embroiled in the search for the mysterious “Final Programme”, developed by his father. The programme, a design for a perfect, self-replicating human being, is contained on microfilm. A group of scientists, led by the formidable Miss Brunner (who consumes her lovers), has sought Cornelius’s help in obtaining it. After a chase across a war-torn Europe on the verge of anarchy, Brunner and Cornelius obtain the microfilm from Jerry’s loathsome brother Frank. They proceed to an abandoned underground Nazi fortress in the Arctic to run the programme, with Jerry and Miss Brunner as the subjects.
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Start the Revolution Without Me (1970)
An account of the adventures of two sets of identical twins, badly scrambled at birth, on the eve of the French Revolution. One set is haughty and aristocratic, the other poor and somewhat dim. They find themselves involved in palace intrigues as history happens around them. Based, very loosely, on Dickens’s “A Tale of Two Cities,” Dumas’s “The Corsican Brothers,” etc.
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Cry of the Banshee (1970)
In seventeenth century England Lord Whitman wages unending war on what he sees as the ever-present scourge of witchcraft, and many local villagers have suffered at his hands. But one victim uses her occult powers to curse his family, enlisting unknowing help from one of the household.
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On My Way to the Crusades, I Met a Girl Who… (1967)
A chastity belt provides an endless amount of grief for a woman whose jealous husband has gone off to the Crusades.
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How to Steal a Million (1966)
A woman must steal a statue from a Paris museum to help conceal her father’s art forgeries.
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Tom Jones (1963)
Tom loves Sophie and Sophie loves Tom. But Tom and Sophie are of differering classes. Can they find a way through the mayhem to be true to love?
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The Inspector (1962)
At the end of WW2, a compassionate Dutch policeman helps smuggle a Jewish woman into British Palestine.
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The Counterfeit Traitor (1962)
Blacklisted in modern day WW2, a Swedish oil trader opts to assist British Allies, by means of infiltrating and surveying Nazi Germany.
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The Day They Robbed the Bank of England (1960)
London at the turn of the century. Three men is on a mission from the IRA to steal all the gold in the vaults of the Bank of England. Norgate, their leader, discovers the bank’s weak spot: an old forgotten sewer straight under the vaults.
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Ben-Hur (1959)
Ben-Hur is a 1959 epic film directed by William Wyler, the third film version of Civil War vet Lew Wallace’s 1880 novel Ben-Hur: A Tale of the Christ. It premiered at Loew’s State Theatre in New York City on November 18, 1959. The movie’s reputation as a classic is primarily based on two spectacular action sequences: the great chariot race and a Roman naval battle, along with lavish production values and strong performances. The plot of Ben Hur revolves around a Jewish prince who is betrayed and sent into slavery by a Roman friend and how he regains his freedom and comes back for revenge. However, instead he finds redemption in Christ, the theme is ultimately about being saved in the Christian sense. The film went on to win a record of eleven Academy Awards, including Best Picture and Best Actor (Charlton Heston as Ben Hur). This record-setting Oscars sweep has since been equaled by Titanic in 1998 and The Lord of the Rings: The Return of the King in 2004, but never broken.
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