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The Filth and the Fury (2000)
Julien Temple’s second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale–including the one and only John Lydon (aka Johnny Rotten).
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The Sex Pistols – There’ll Always Be an England (2008)
There’ll Always Be an England’ – named after Vera Lynn’s stirring intro music – was recorded on Saturday, November 10th and captures the energy and excitement of the band and the crowd. The whole of the classic ‘Never Mind The Bollocks’ album is performed, together with a mixture Pistols cover versions, b-sides and even an impromptu crowd sing-along of ‘I Do Like To Be Beside the Seaside’. This c
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Sons of Norway (2011)
It’s not easy to rebel when your dad wants to join the party… One day (in 1979), Magnus and his son Nikolaj hit the wall in their new terrace house in Rykkinn. Magnus is an architect, hippie and free spirit, a glaring exception in a community where equality and conformity is the norm. He always stands up for his son, supporting him unconditionally, even when Nikolaj decides to stop giving a damn. Sons of Norway is a film about rebellion, punk rock, suburban hell and the struggle between freaks and punks. But most of all, it’s the story of an unusual father-son relationship, and about the strength of the bonds we sometimes do our best to rip apart.
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Copkiller (1983)
A New York policeman imprisons and tortures an admitted cop-killer, but finds the tables turned when his victim refuses to break and in fact urges more punishment
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D.O.A. (1980)
Documentary chronicaling the rise and fall of the punk movement with rare interview footage of Sid Vicious and Nancy Spungen. Also concert and news footage.
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The Great Rock ‘n’ Roll Swindle (1980)
A rather incoherent post-breakup Sex Pistols “documentary”, told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make “a million pounds.”
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Punk Britannia
A brand new take on the most transformative force in British popular music history.
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