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The Amorous Lotus Pan (1994)
Helmed by the aesthetic Li Han-hsiang, The Amorous Lotus Pan features former Blue Jeans band member Shan Li-wen in a dual role as Wu Sung and Hsimen Ching. The reverse narrative tells the story of Wu Sung, who was pardoned from prison and seek the libidinous Pan Chin-lien (Huang Mei-tsing) to avenge his brother’s death. The remorseful Pan recounted her pathetic life, which began when she was traded to the rich Changs as a maid. But she was raped by her master and flirted with Hsimen Ching and other gentleman callers
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The Last Emperor (1986)
A 1986 film directed by Li Han-Hsiang. Nominated for Best Film in the 6th annual Hong Kong Film Awards.
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The Ghost Story (1979)
An old man of the village tells kinky ghost stories to a few of it’s inhabitants after all the kids have gone to bed. What follows are stories that have horror elements and some soft-core nudity thrown in.
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Adventures of Emperor Chien Lung (1977)
Emperor Chien Lung uses disguises to experience life among his subjects.
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Moods of Love (1977)
Two stories are included in this erotic/romantic anthology. In the first, a Sung-Dynasty (10th-13th century) Buddhist monk is tricked into sexual relations with an unscrupulous female adventurer. He dies soon after with his misdeed on his conscience. In the second, the daughter of a woman who died in a brothel discovers that her mother died an unnatural death and seeks revenge.
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The Last Tempest (1976)
Despite Kuang Hsu’s (Ti Lung) enthronement as the last reigning Emperor of China, his ability to rule effectively is overshadowed by the ever-present power of the Dowager Empress (Lisa Lu). When his attempts to reform the Imperial system are thwarted by the Dowager Empress, he attempts to curb her power. His efforts are not successful, and this failure leads directly to his own death and the end of Imperial rule in China. The Dowager Empress, though, ends her days comfortably and in peace.
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Forbidden Tales of Two Cities (1975)
Li Han-hsiang, one of the most experienced and respected filmmakers in Hong Kong, wrote and directed this charming and fascinating comedy of amorous complications and modern morals in the very middle of his forty year career. The two cities are Macau, where a love quartet is the source for sexy merriment, and Hong Kong, where a gambler tells a charming woman why there are four shackles hanging from his apartment ceiling!
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