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Lady in Cement (1968)
While diving for sunken treasure, street-smart gumshoe Tony Rome finds the body of a gorgeous blonde, her feet stuck in a block of cement. Soon after, tough guy Waldo Gronski hires him to find a missing woman named Sandra Lomax, and Rome wonders if there’s a connection. He sets about trying to locate the woman, and in no time finds himself mixed up with a beautiful party girl and a slippery racketeer.
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Marnie (1964)
Marnie is a beautiful kleptomaniac who is in love with businessman Mark Rutland. Marnie who is a compulsive thief is being watched by her new boss Mark who suspects her of stealing from him and thus decides to blackmail her in the most unusual way. A psychological thriller from Alfred Hitchcock based on a novel of the same name by Winston Graham.
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The Power and the Glory (1961)
Based on Graham Greene’s novel about a flawed but devoted priest in 1930s Mexico who attempts to perform his duties while eluding a police lieutenant determined to capture him.
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M (1951)
Remake of the 1931 original. In the city, someone is murdering children. The Police search is so intense, it is disturbing the ‘normal’ criminals, and the local hoods decide to help find the murderer as quickly as possible.
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The Lost Moment (1947)
In a long flashback, a New York publisher is in Venice pursuing the lost love letters of an early-19th-century poet, Jeffrey Ashton, who disappeared mysteriously. Using a false name, Lewis Venable rents a room from Juliana Bordereau, once Jeffrey Ashton’s lover, now an aged recluse. Running the household is Juliana’s severe niece, Tina, who mistrusts Venable from the first moment. He realizes all is not right when late one night he finds Tina, her hair unpinned and wild, at the piano. She calls him Jeffrey and throws herself at him. The family priest warns Venable to tread carefully around her fantasies, but he wants the letters at any cost, even Tina’s sanity.
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The James Dean Story
Released two years after James Dean’s death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean’s ironic PSA for safe driving.
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