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Color Adjustment (1992)
From Amos ‘n’ Andy to Nat King Cole, from Roots to The Cosby Show, blacks have played many roles on primetime television. Brilliantly weaving clips from classic TV shows with commentary from TV producers, black actors and scholars, Marlon Riggs blends humor, insight, and thoughtful analysis to explore the evolution of black/white relations as reflected by America’s favorite addiction.
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Sunday Dinner
Sunday Dinner is an American sitcom which aired on CBS from June 2, 1991 until July 7, 1991. The series was produced by Norman Lear, and marked his return to television producing after an absence of several years. Lear’s current wife Lyn Davis Lear served as co-producer on the series, which was the first official Lear show to be made under his latest production marquee Act III Productions.
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The Thief Who Came to Dinner (1973)
A computer programmer decides to become a thief. And when he starts making waves an insurance investigator hounds him. He also meets a woman who becomes his accomplice.
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Mary Hartman, Mary Hartman
In the fictional town of Fernwood, Ohio, suburban housewife Mary Hartman seeks the kind of domestic perfection promised by Reader’s Digest and TV commercials. Instead she finds herself suffering the slings and arrows of outrageous fortune: mass murders, low-flying airplanes and waxy yellow buildup on her kitchen floor.
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Palmerstown, U.S.A.
Palmerstown, U.S.A. is a drama series. It centers on the lives of two 9-year-old best friends, one black and one white, growing up in a small Southern town during the 1930s.
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Norman Lear: 100 Years of Music and Laughter (2022)
The one-night-only celebration honoring the life and legacy of the famed producer features intimate conversations, special performances and surprise reunions that pay homage to the man behind some of television’s greatest stories in celebration of his 100th birthday.
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Norman Lear: A Life on Television (2023)
An ET special that features new interviews with stars of the long-running comedies Lear created and never-before-seen interviews from the ET vault. This one-hour special features new interviews with stars of the long-running comedies Lear created, including Jimmie Walker and Mackenzie Phillips. Also included with this new footage and interviews is an in-depth sit-down interview with Lear that ET host Kevin Frazier conducted when Lear celebrated his 100th birthday, in which he reflected on his lengthy, groundbreaking career.
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One Day at a Time
One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.
The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.
Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.
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If You’re Not In The Obit, Eat Breakfast (2017)
Irrepressible writer-comedian Carl Reiner, who shows no signs of slowing down at 94, tracks down celebrated nonagenarians, and a few others over 100, to show how the twilight years can truly be the happiest and most rewarding. Among those who share their insights into what it takes to be vital and productive in older age are Mel Brooks, Dick Van Dyke, Kirk Douglas, Norman Lear, Betty White and Tony Bennett.
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Sanford and Son
Sanford and Son is an American sitcom, based on the BBC’s Steptoe and Son, that ran on the NBC television network from January 14, 1972, to March 25, 1977.
Known for its edgy racial humor, running gags and catch phrases, the series was adapted by Norman Lear and considered NBC’s answer to Archie Bunker. Sanford and Son has long been hailed as the precursor to many other African American sitcoms. It was a ratings hit throughout its six season run.
While the role of Fred G. Sanford was known for his bigotry and being cantankerous, the role of Lamont Sanford was usually a peacemaker and more conscientious. At times, both would involve themselves in schemes. Other colorful/unconventional characters were Aunt Esther, Grady Wilson, Bubba Bexley and Rollo Lawson.
In 2007, Time magazine included the show on their list of the “100 Best TV Shows of All Time”.
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