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Georgian Ancient Songs (1969)
Under the premise of documenting for the sake of preservation the various forms of Georgian religious chanting, a distinct kind of sonorous psalmody passed over from generation to generation, what Otar Iosseliani captures in reality is the snapshot of a not-so-distant past that coexists with the world we might know yet transports us to what used to be.
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Brigands, Chapter VII (1996)
A witty, despairing French-Russian-Italian-Swiss art movie set in 16th-century Georgia, Stalinist Georgia, contemporary Georgia, and contemporary Paris, featuring the same actors in all four settings.
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Monday Morning (2002)
A story told quietly of Vincent a welder at a large and seemingly toxic plant along the Rhône, living in a village with his sons, wife, and mother, saying little to each other.
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Sept pièces pour cinéma noir et blanc (1983)
“Before we started work on the film “Les Favoris de la Lune” , I tried to capture on film my first impressions of the city and the people who inhabit it. This etude of Paris, slightly shortened, was shown on television.” — Otar Ioseliani
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Chantrapas (2011)
A filmmaker finds creative freedom more elusive than he imagined in this ironic comedy-drama. Tired of the state-appointed producers and censorship in his homeland, Soviet Georgia, Niko decides to move to France, only to find that he has merely traded one type of interference for another.
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