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The Mississippi Gambler (1953)
Mark Fallon, with partner Kansas John Polly, tries to introduce honest gambling on the riverboats. His first success makes enemies of the crooked gamblers and of fair Angelique Dureau, whose necklace he won. Later in New Orleans, Mark befriends Angelique’s father, but she still affects to despise him as his gambling career brings him wealth. Duelling, tragedy, and romantic complications follow.
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The Woman in Green (1945)
A series of murders of women, each with a forefinger posthumously removed, leads Sherlock Holmes and Dr. Watson to a society of hypnotists and a mysterious, glamorous woman. The case takes an intriguing turn when the fiendish Dr. Moriarty – last seen swinging from the hangman’s noose – appears to be involved.
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The House of Fear (1945)
The Good Comrades are a collection of varied gentlemen who crave one thing – solitude. They reside at Drearcliff House, ancestral home of their eldest member. All seems serene and convivial until one by one the members begin to perish in the most grisly of manners. Foul play is suspected by the Good Comrades’ insurance agent, who turns to Sherlock Holmes and Dr. John Watson for guidance.
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The Man in Half Moon Street (1945)
Barre Lyndon play adaption about a doctor using revolutionary surgery to stay young forever. Remade as 1959 Hammer horror ‘The Man Who Could Cheat Death’.
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Maisie Goes to Reno (1944)
Exhausted from wartime riveting, a chorus girl (Ann Sothern) goes to Nevada and falls for a card dealer (John Hodiak).
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The Scarlet Claw (1944)
A woman is found dead — with her throat torn out. Villagers blame a supernatural source but Holmes has other ideas.
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Passage from Hong Kong (1941)
In this comedy, a crime novelist spins a yarn to impress the apple of his eye. He tells her that he has been involved in a murder.
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Shadows on the Stairs (1941)
Occupants of a London boarding house become suspects as a string of murders are discovered.
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Splendor (1935)
When Brighton Lorrimore returns home with his new bride, Phyllis, his family make their disappointment in his choice obvious. Facing bankruptcy and the loss of their mansion and social position, they had hoped that Brighton would marry wealthy heiress and family friend, Edith Gilbert.
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Goin’ to Town (1935)
Goin’ to Town is the story of an ambitious woman named Cleo Borden (Mae West) who grew up in a saloon. She loves the men and the men love her, but her aspirations lead her to enter into a contract to marry a wealthy man (Fred Kohler). Fortunately for her, he dies and leaves her all of his fortune. She soon learns that although she has money, she is not yet a lady, so she embarks on a journey to become one. She has no desire to change herself, but the man she sets her sights on (Paul Cavanagh) does, so she obliges.
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Menace (1934)
A psychotic man stalks three innocent people whom he believes are responsible for his brother’s death.
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