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Shawn Mendes: In Wonder (2020)
$15.00A portrait of singer-songwriter Shawn Mendes’ life, chronicling the past few years of his rise and journey.
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Woodstock 99: Peace, Love, and Rage (2021)
$15.00Explore Woodstock 99, a three-day music festival promoted to echo unity and counterculture idealism of the original 1969 concert but instead devolved into riots, looting and sexual assaults.
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Listening to Kenny G (2021)
$15.00A humorous but incisive look at the saxophonist Kenny G, the best-selling instrumental artist of all time, and quite possibly one of the most famous living musicians.
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Jagged (2021)
$15.00An intimate exploration of Alanis Morissette and her groundbreaking 1995 album Jagged Little Pill.
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DMX: Don’t Try to Understand (2021)
$15.00A focus on a year in the life of rapper Earl “DMX” Simmons as he is released from prison in early 2019 and attempts to rebuild his career in the music industry and reconnect with family and fans.
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Mr. Saturday Night (2021)
$15.00The untold story of Robert Stigwood, the impresario behind “Saturday Night Fever” and its record-breaking disco soundtrack.
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Zoey’s Extraordinary Christmas (2021)
$15.00On her first holiday without her father, Zoey attempts to create a magical Christmas for her family just like the ones Mitch used to do.
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Louis Armstrong’s Black & Blues (2022)
$15.00An intimate and revealing look at the world-changing musician, presented through a lens of archival footage and never-before-heard home recordings and personal conversations. This definitive documentary honors Armstrong’s legacy as a founding father of jazz, one of the first internationally known and beloved stars, and a cultural ambassador of the United States.
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Love to Love You, Donna Summer (2023)
$15.00The extraordinary story of disco queen Donna Summer through a rich archive of unpublished film excerpts, home video, photographs, artwork, writings, personal audio and other recordings that span the life of one of the most iconic performers ever to shake a room to its timbers. From her early career with Giorgio Moroder in Germany, to later years more focused on spirituality and family life as a shelter from troubles associated with both notoriety and intimate wounds, her story is all the more special for being told in the first person – both singular and plural.
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