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The Thrill of It All (1963)
The story of the film centres around urban housewife Beverly Boyer (Doris Day) and her husband, a successful gynaecologist and devoted family man, Gerald (James Garner). Beverly is offered the opportunity to star for a television commercial advertising soap. After a shaky start, she gets a contract for $80,000 per year to appear on the weekly TV commercials.
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Challenge to Lassie (1949)
When Lassie’s master dies, an old friend tries to convince a judge that the dog’s life should be spared.
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Kitty (1945)
London, 1783: Kitty, a saucy wench of the slums, meets the painter Gainsborough by stealing his shoes. He paints her as an “anonymous lady” who excites the interest of his noble friends, notably penniless Sir Hugh Marcy, who schemes to pass Kitty off as a genuine lady (a formidable task) and marry her off for financial gain.
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The Canterville Ghost (1944)
In the 1600s, cowardly Sir Simon of Canterville flees a duel and seeks solace in the family castle. His ashamed father seals him in the room where he is hiding and dooms him to life as a ghost until one of his descendants performs a brave deed. Simon believes he may be saved when he meets Cuffy Williams, an American kinsman stationed with a troop of soldiers at the castle in 1943. Will this blood relative save the family honor, or will his blood be as yellow as the rest of the Cantervilles?
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Above Suspicion (1943)
Frances and Richard Myles (Joan Crawford and Fred MacMurray) are newlyweds honeymooning in Europe on the eve of World War II. Unexpectedly, they find themselves commissioned by the British secret service to secure the plans for a new secret weapon masterminded by the Nazis (involving magnetic mines). The trail leads them to Innsbruck where they arouse the suspicions of a Gestapo chief.
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Reunion in France (1942)
Frenchwoman Michele de la Becque, an opponent of the Nazis in German-occupied Paris, hides a downed American flyer, Pat Talbot, and attempts to get him safely out of the country.
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White Cargo (1942)
In Africa early in World War II, a British rubber plantation executive reminisces about his arrival in the Congo in 1910. He tells the story of a love-hate triangle involving Harry Witzel, an in-country station superintendent who’d seen it all, Langford, a new manager sent from England for a four-year stint, and Tondelayo, a siren of great beauty who desires silk and baubles. Witzel is gruff and seasoned, certain that Langford won’t be able to cut it. Langford responds with determination and anger, attracted to Tondelayo because of her beauty, her wiles, and to get at Witzel. Manipulation, jealousy, revenge, and responsibility play out as alliances within the triangle shift.
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Somewhere I’ll Find You (1942)
Brothers feud over a girl they both fall for while covering World War II.
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Mrs. Miniver (1942)
The Minivers, an English “middle-class” family experience life in the first months of World War II.
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The Real Glory (1939)
In the wake of the Spanish-American war, military doctor Bill Canavan (Cooper) arrives at a war-torn Filipino outpost. Infested with cholera and under attack from a vicious local Moro chieftain, the troops are terrified and their commanding officer has all but given up hope. Outnumbered and out of supplies, Canavan decides to trade his scalpel for a rifle and rally the few remaining troops into one last stand before the outpost and everyone inside becomes just another footnote in history.
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