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Kissi Se Na Kehna (1983)
Kailashpati is a widower, and father of an only son, Ramesh. He feels that his son has come of age, and must get married. He goes to see a number of young ladies for him, but is disappointed with them, as he feels they are too modern, speak English, and listen to foreign music. He feels that Ramesh will be better off marrying a non-English speaking lady, preferably from a small village. But the predicament of Ramesh is that he is already in love with Ramola, a very well qualified, English speaking Doctor, and he knows fully well that she will not be approved by his dad. So Ramesh, Ramola and Lalaji concocts a plot, making Ramola masquerade as a naive, non-English speaking village belle, with hilarious and unpredictable results.
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Kishen Kanhaiya (1990)
Leela and Bholaram are a childless couple. Leela works as a midwife, and one day assists Sunderdas’ wife to give birth to twin boys. She decides to keep one baby for herself, and tells Sunderdas that his wife has given birth to one child. There are complications for the mother, and she passes away without seeing her children. Leela and Bholaram bring up Kanhaiya, while Sunderdas attempts to bring up Kishen, but is unable to do a good job. So he marries Kamini, who comes along with her brother, Ghendamal, to live at the estate. She has an illegitimate child named Ramesh from another man, and when Sunderdas comes to know of this, he is threatened and attacked, and as a result of which he is paralyzed, unable to move.
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Dil (1990)
Raja lives a poor lifestyle along with his dad, Hazariprasad and mom. He attends college where he has several run-ins with wealthy fellow-collegian, Madhu Mehra. Matters escalate to such an extent that she accuses him of sexually molesting her. When his dad comes to know, he decides to seize this chance to get rich quickly, masquerades as a wealthy businessman, approaches Mr. Mehra, and arranges for their children to get married. Murphy’s law prevails at the time of the engagement – changing everyone’s lives forever.
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Ek Hi Raasta (1993)
Can Karan Singh stop Kubla, the vile terrorist from ruling over all of India and save Col. Choudry and his daughter Priya?
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Veergati (1995)
Hawaldar found on illegal new born baby boy in the gutter of Kamathipura, a red light area of Bombay. A prostitute gives birth to a baby boy and she decides to educate him and request Hawaldar to give him father’s name. Hawaldar’s wife does not accept the child and leaves for her parent’s home. Hawaldar adopts the child and names him as Ajay while the prostitute’s son is named Shlok. Both are admitted to School while Shlok goes too far in studies and Ajay takes up gambling. Shlok falls in love with Pooja, daughter of J.K. a millionaire. Ajay does not believe in any relationship. Havaldar tries his best to get Ajay a job but Ajay finds that it is difficult for him to work of prevailing corruption in the society. Ekka Seth is a terror in sen workers basti and he exploits the innocent girl and forces them to adopt prostitution.
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English Babu Desi Mem (1996)
Vikram Mayur, a wealthy Indian, born and raised in England, returns to his ancestral home in Bombay, India to look up his late brother’s eight-year-old son Nandu raised by his caring aunt Bijuriya in which Vikram is torn between choosing to take Nandu back to England to learn his family’s business, or risk throwing it all way by staying in India to be with Bijuriya whom he slowly falls in love with.
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Aunty No. 1 (1998)
Aunty No 1 is a 1998 Bollywood comedy film adapted from the Marathi play ‘Moruchi Mavshi’ written by Acharya Atre. Sandhya (Raveena Tandon) is in search of her prince charming and when Gopi (Govinda) comes to know about this he pretends to be a rich prince and Sandhya starts dating him. But soon she comes to know that Gopi is a poor man but nevertheless they start loving each other. Meanwhile Gopi’s friends Abhyankar (Harish) and Raja (Rohit Kumar) request Gopi to become an Aunty for a big favor. He does so with hilarious results, as two men (Kader Khan and Saeed Jaffrey) start loving him. This leads to humorous situations.
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Judaai (1997)
Judaai (English: Separation) is a 1997 Indian Bollywood film starring Anil Kapoor, Urmila Matondkar and Sridevi who made her last appearance in this film and left the industry. This is the remake of 1994 Telugu film Subha Lagnam, which was in turn remade from the Kannada movie Ajagajantara (1991) starring Kashinath.
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The Chess Players (1977)
It is the year 1856. Nawab Wajid Ali Shah is the king of Awadh, one of the last independent kingdoms of India. The British colonialists, intent on controlling this rich land, have sent general Outram on a secret mission to clear the way for an annexation. Pressure is mounting amidst intrigue and political manoeuvres, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either—Court nobles Mir and Mirza, ignoring the situation of their country and all their duties towards their families, spend their days playing endless games of chess. The film is based on Munshi Premchand’s short story of the same name.
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Chashme Buddoor (1981)
Two womanizing slackers, Omi and Jai (Rakesh Bedi and Ravi Baswani respectively) attempt to woo the new girl in the neighbourhood, and fail – miserably. Their third room-mate, shy, and a bookworm – succeeds, much to their chargin. The two scheme up comical ideas to split the two lovebirds, so that their secrets and humiliation are not revealed
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The Deceivers (1988)
India, 1825: the country lives in mortal fear of cult members known as the “Deceivers.” They commit robbery and ritualistic murder. Appalled by their activities, an English military man, Captain William Savage, conceives a hazardous plot to stop them. In disguise, he plans to himself become a “Deceiver” and infiltrate their numbers. Ever present in Savage’s adventures is a sense of dread; he is in constant fear of betrayal and vengeance and also undergoes a disturbing psychological transformation as he experiences the cult’s blood lust firsthand.
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My Beautiful Laundrette (1985)
Omar, a homosexual Pakistani boy living in London with his alcoholic father, lifts a chunk of drug money from another Pakistani and, with his lover Johnny, decides to renovate a grungy laundrette.
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