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Bat Without Wings (1980)
When a notorious fiend known as the “Bat Without Wings” returns to his small village after a five-year absence and kidnaps a young maiden, it’s up to her family and a resourceful swordsmen to brave the horrors of the underworld to bring her back home alive.
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The Young Avenger (1972)
After a career spanning more than forty years and dozens of films as director or writer, Yueh Feng used everything he learned on a final few martial arts epics, of which this is one of the most memorable. It’s not easy to forget a hunchbacked, one-armed protagonist, nor the “Poisonous Dragon Sword” style, nor the luminous and lethal Shih Szu as the title swordswoman, who is out to avenge her father’s death at the mid-autumn festival.
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Shaolin Prince (1982)
Two princes are seperated by birth. One is raised by the Prime Minister. The other is raised by three mad Shaolin Monks. They both learn kung-fu. When they are 23, they meet and combine there forces to defeat the evil 9th Prince.
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Swift Sword (1980)
From the director known for giving Jackie Chan a break in his early kung-fu films, Ho Meng-hua strikes gold again with Swift Sword. Starring a menagerie of established Shaw Brothers’ talent like kung-fu comedienne, Wang Yu, female kung-fu fighter Hui Ying-hung (the lady Michelle Yeoh tries to emulate) and perennial bad guy Lo Lieh, it’s a movie about cross people and crossed swords where our heroes discover that gold is not as precious as friendship.
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Sweet Is Revenge (1967)
Some 40 years ago when warlords rode rough-shod over the Chinese people, circus acrobat Pao Te-cheng took to the hills and began robbing the rich to help the poor. His daring feats earned him the nickname of “The Masked Robber”. Trying to intercept a large sum of money to be turned over to public security chief Cheng Kuan-hsi, he is nearly caught. Partner Hsiao Chung is jubilant over his safe return. But in the government office, chief detective Ma Pu-yun frantically plots his arrest. Ma Chien-li, son of the chief detective, devises a clever trap set for Ma Pu-yun’s birthday party. Among the guests is Huang Tan-ping who is engaged to Doctor David Lee. Ma Chien-li proposes to her without knowing this.
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The Dream Of The Red Chamber (1977)
Li Han-Hsiang’s adaptation of the classic Qing Dynasty novel will take viewers to the heightened pleasures of love and the despairing depths of betrayal. Timeless beauty Brigitte Lin Ching-hsia appears as Chia Pao-yu in her first attempt at a gender-bending role, an art she will wield complete mastery over in later films. Pao-yu is in love with his cousin, Lin Tai-yu (Sylvia Chang), but his family has other marital plans for him that will leave both broken-hearted.
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Descendant of the Sun (1983)
Celebrated director Chu Yuan helms “Descendant Of The Sun”, a Superman meets Hercules a la old style martial art film. Derek Yee is a magic solar baby sent Earthbound by a benevolent god, raised by an old carpenter, has martial art superpowers and “green kryptonite” loses them during solar eclipses. That’s when the evil baby counterpart shows up. Demon-paced martial arts action by Jackie Chan’s kung-fu classmates Yuan Pin and Yuen Hua compliments Toho Studio style special optical effects.
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The Crimson Charm (1971)
A noble swordsman and a one-armed swordswoman go up against the vicious Crimson Charm gang of thieves and cutthroats. The lovely and lethal Ivy Ling Po teams with the amazing Chang I for a classic tale of good versus evil in which the best man and one-armed woman wins.
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The Enchantress (1983)
Max Mok is the dashing young swordsman Feng Xiwu who arrives at a beautiful, but deadly location known as Moonlit Sky to investigate rumors of deaths and disappearances there.
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Shaolin Intruders (1983)
On a routine courier mission, the prestigious Chin Hu chief was murdered by four mysterious monks. When all evidence points to Ching Hua (Liu Yu-Po), his friend Lei Hsin (Derek Yee) is determined to clear his name by barging in the Shaolin Temple thrice, and gets intwined in an intricate web of deception!
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