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Bound by Flesh (2012)
Conjoined twins Daisy and Violet Hilton were once the cream of the sideshow crop. Taught to sing and dance at an early age, the winsome duo ascended through the early 20th-century vaudeville circuit as a side attraction (working alongside Bob Hope and Charlie Chaplin as well as a memorable turn in the Tod Browning classic “Freaks”) before a cascade of unscrupulous management and harsh mistreatment brought their careers (and lives) tumbling down. This engrossing glimpse into a bygone era is filled with fascinating interviews and rare archival footage.
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The Elephant Man (1980)
A Victorian surgeon rescues a heavily disfigured man being mistreated by his “owner” as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.
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You Can’t Cheat an Honest Man (1939)
Fields plays “Larsen E. Whipsnade”, the owner of a shady carnival that is constantly on the run from the law. Whipsnade is struggling to keep a step ahead of foreclosure, and clearly not paying his performers, including Bergen and McCarthy, who try to coax money out of him, or in McCarthy’s case, steal some outright.
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The Unholy Three (1925)
Three sideshow performers leave their lives of captivity and form a conspiracy known as “The Unholy Three” – a sideshow ventriloquist, midget, and strongman work together to commit a series of robberies.
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Spidora (2014)
After receiving a series of anonymous love notes, Spidora, a performer in a carnival Side Show, is finally encouraged to meet her secret admirer. But is he real or just an illusion?
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Sideshow (1950)
A Treasury Department agent on the trail of an international jewel smuggling ring joins a carnival that he thinks the gang is using as a front. He finally locates the jewels hidden as the eyes of wax figures.
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Meridian (1990)
Two American students go to Italy after graduating from art school, one to work in restoration of paintings, the other because she’s inherited her father’s castle. When the restorer visits her friend at the castle, they invite the players of a traveling sideshow to dinner, and are slipped drugs, leading to an orgy of abandon. The woman who owns the castle keeps having visions of a young woman who has been stabbed in the castle. After talking to her nanny, she finds that the “vision” woman is her father’s sister, who was murdered brutally as the consequence of a 15th Century curse put on her family, and that she is the next in line, and the troupe they have entertained is a part of the curse.
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