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Dos machos que ladran no muerden (1988)
Constancio has to leave his wife and son because they’re making him crazy. He leaves his fortune behind and falls in love with another woman.
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Las modelos de desnudos (1983)
Three interlocking anecdotes about boy/girl stuff. Two gigolos make a bet to see which can boff an heiress first, a young artist tries to persuade his upper-class parents that his artist’s-model fiance is a good choice for marriage, and a guy on the run from the mafia hides from them by cross-dressing.
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The Island of the Dinosaurs (1967)
A group of scientists in search of lost Atlantis are plane wrecked on an uncharted island full of stock footage monsters fresh from One Million BC. Occasionally we get an original papier mache monster peaking out from behind an alcove, but for the most part this is typical Mexican filmmaking for the period. With Armond Silvestre and Alma Delia Fuentes.
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Aventurera (1950)
Left alone after her mother runs off with another man and her father kills himself, Elena attempts to make a new life for herself in a new city. Believing he’s a friend, Elena goes to dinner with “Pretty Boy” Lucio, but he drugs her champagne and sells her to Rosaura, who runs a brothel out of her nightclub. Elena becomes a sensation as a dancer, but all the while she nurtures plans of revenge against those who have conspired against her.
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La momia azteca (1957)
Experimenting in hypnotic regression to past lives, Dr. Almada discovers that his fiancée, Flor, is the reincarnation of an Aztec maiden who was put to death for loving an Aztec warrior, her body placed at the entrance to a hidden chamber in the Great Pyramid of Yucatan where the treasures of the Aztecs were hidden, and her lover mummified but cursed to remain alive and guard the treasure. With her recovered memories, Flor is able to lead Almada, his wimpish assistant Pincate, and her father to the now-skeletal remains of the maiden. Attached to them is a golden breastplate with a map detailing the route to the treasure. But to their horror, the party is intercepted by the mummified warrior, Popoca, and flee with the breastplate back to Mexico city. Popoca follows. In the meantime, Prof. Krup, an unscrupulous colleague of Almada’s, recruits a gang of thugs, whom he leads from behind a mask and known only as “The Bat”…
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Doctor of Doom (1963)
A mad scientist terrorizes a city by kidnapping young women with his ape-man Gomar and then using them as subjects in sadistic brain transplant experiments. A female wrestler whose sister was one of the victims swears vengeance against the Mad Doctor.
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The Batwoman (1968)
A whacked out scientist is capturing wrestlers (because they are “perfect”) and using their spinal fluid to create a Gill Man. Two cops call in Batwoman to investigate. She steals aboard the baddies boat , uncovers his mad plan, but she is discovered and during a scuffle our hero tosses acid in the scientists face. This doesn’t sit too well with the dude and he seeks revenge. His plan, capture her and turn her into a Gill Woman!
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Los verduleros (1986)
The adventures of two friends, one a chicken vendor in a market and the other a policeman. They have love affairs and capture criminals.
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