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The Last Trimate (2008)
$15.00Narrated by Mel Gibson, The Last Trimate is a compelling account of the work of Birute Mary Galdikas — who, alongside Jane Goodall and Dian Fossey, is one of the three formidable women to have dedicated their lives to the great apes of the world — she highlights the plight of the elusive ‘red ape’ and offers some hope for their survival as their very habitat is decimated at a startling rate.
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Pray the Devil Back to Hell (2008)
$15.00Pray the Devil Back to Hell chronicles the remarkable story of the Liberian women who came together to end a bloody civil war and bring peace to their shattered country.
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Hateship Loveship (2013)
$15.00A wild teenage girl orchestrates a romance between her nanny and her father, who is a recovering addict.
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Women, War & Peace II
$25.00In a year when women are mobilizing and running for office in unprecedented numbers, see how some of the biggest international stories of recent memory are shaped by women. An all-female cast of directors present four never-before-told stories about the women who risked their lives for peace, changing history in the process.
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My Name Is Andrea (2022)
$15.00A rousing portrait of feminist writer Andrea Dworkin, one of the most controversial and misunderstood figures of the 20th century, who fought passionately for justice and equality for women.
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Women, War & Peace
$30.00What if you looked at war as though women mattered? What if you looked at peace as though women mattered? These two questions were at the heart of this critically acclaimed five-part special series.
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The Armor of Light (2015)
$15.00Following the journey of an Evangelical minister trying to find the courage to preach about the growing toll of gun violence in America. Reverend Rob Schenck, anti-abortion activist and fixture on the political far right, breaks with orthodoxy by questioning whether being pro-gun is consistent with being pro-life.
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Cameraperson (2016)
$15.00As a visually radical memoir, Cameraperson draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
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