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Slasher (2004)
A documentary on a stereotypically shady used car salesman, one who convinces customers to buy vehicles that others have deemed unfit for sale.
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Chop Socky: Cinema Hong Kong (2004)
Filmmaker Ian Taylor examines the impressive legacy of Hong Kong cinema — specifically, how martial arts crossed borders and become an international phenomenon — with the help of footage and interviews with the stars who made the genre what it is today. Director Lau Ka Leung (who helmed The 36th Chamber of Shaolin) joins in, sharing his thoughts on how certain cinematic technologies have improved martial arts films and expanded their appeal.
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Sorry, Haters (2005)
Against the anxieties and fears of post-9/11 America, an Arab cab driver picks up a troubled professional woman with unexpected results.
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This Film Is Not Yet Rated (2006)
Kirby Dick’s provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America rates films, revealing the organization’s underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.
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¡Yo soy Boricua, pa’ que tú lo sepas! (2006)
Actress Rosie Perez makes a stunning directorial debut in this heartfelt tribute to Puerto Rican pride. She takes an in-depth look at the complex and often controversial history of Puerto Rican-U.S. relations. By turns, shocking and celebratory, this wide-ranging documentary examines such rich themes of the Puerto Rican experience as family, language, and racism, all with careful consideration of historical context.
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Waking Life (2001)
Waking Life is about a young man in a persistent lucid dream-like state. The film follows its protagonist as he initially observes and later participates in philosophical discussions that weave together issues like reality, free will, our relationships with others, and the meaning of life.
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Z Channel: A Magnificent Obsession (2004)
A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel’s eclectic slate of movies became a prime example of the untapped power of cable television.
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