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Personal Affair (1953)
A British girl (Glynis Johns) disappears for three days after a frank talk with the wife (Gene Tierney) of a Latin teacher (Leo Genn) she loves.
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Encore (1951)
Encore is a 1951 anthology film composed of adaptations of three short stories by W. Somerset Maugham: “The Ant and the Grasshopper”, directed by Pat Jackson and adapted by T. E. B. Clarke; “Winter Cruise”, helmed by Anthony Pelissier, screenplay by Arthur Macrae; “Gigolo and Gigolette”, directed by Harold French, written by Eric Ambler. It is the last film in a Maugham trilogy, preceded by Quartet and Trio.
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Prelude to Fame (1950)
Prelude to Fame is a 1950 British drama film directed by Fergus McDonell from a story by Aldous Huxley. While vacationing in Italy, Nick Morell (Robin Dowell), son of John Morell (Guy Rolfe), a famous English philosopher and amateur musician and his wife Catherine (Kathleen Ryan), becomes friendly with young Guido (Jeremy Spenser), and Morell discovers the boy has an extraordinary instinct for orchestration and a phenomenal music memory. A neighboring couple, Signor and Signora Boudini (Henry Oscar and Kathleen Byron) become aware of the boy’s talents, and she appeals to his parents to let her educate him musically. Torn by their love for their son and, they feel,the duty to let the world hear his talent, they consent.
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Adam and Evalyn (1949)
The father of a girl in an orphanage has been writing his daughter, who doesn’t remember him, tales of his success in business. Actually, he is impersonating a friend, a handsome gambler. When the father dies, the gambler takes to girl from the orphanage and tells her the truth. But the girl is now a full-grown beauty and complications arise, including those provided by a black-sheep brother.
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The History of Mr. Polly (1949)
Quiet and somewhat direction-less, Alfred Polly uses the money he inherits from his father to marry and to set up shop in a small town. His heart is in neither of these enterprises and he eventually resorts to desperate measures to break free. His random wanderings in the countryside lead him to a new opportunity that just might be what he’s been looking for all along.
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Hamlet (1948)
Winner of four Academy Awards, including Best Picture and Best Actor, Sir Laurence Olivier’s Hamlet continues to be the most compelling version of Shakespeare’s beloved tragedy. Olivier is at his most inspired—both as director and as the melancholy Dane himself—as he breathes new life into the words of one of the world’s greatest dramatists.
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The October Man (1947)
Jim Ackland, who suffers from a head injury sustained in a bus crash , is the chief suspect in a murder hunt, when a girl that he has just met is found dead on the local common, and he has no alibi for the time she was killed.
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Odd Man Out (1947)
Belfast police conduct a door-to-door manhunt for an IRA gunman (James Mason) wounded in a daring robbery.
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The Way to the Stars (1945)
Life on a British bomber base, and the surrounding towns, from the opening days of the Battle of Britain, to the arrival of the Americans, who join in the bomber offensive. The film centres around Pilot Officer Peter Penrose, fresh out of a training unit, who joins the squadron, and quickly discovers about life during war time. He falls for Iris, a young girl who lives at the local hotel, but he becomes disillusioned about marriage, when the squadron commander dies in a raid, and leaves his wife, the hotel manageress, with a young son to bring up. As the war progresses, Penross comes to terms that he has survived, while others have been killed.
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Henry V (1944)
Olivier mustered out of the navy to film this adaptation of Shakespeare’s history. Embroiled in World War II, Britons took courage from this tale of a king who surmounts overwhelming odds and emerges victorious.
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Don’t Take It to Heart (1944)
A stray World War Two bomb releases the ghost of the 3rd Earl of Chaunduyt after 400 years. A visiting professor, while wooing the beautiful Lady Mary, daughter of the present Earl, finds him an ally in his fight on behalf of the villagers to protect their ancient rights against a meddling newcomer.
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