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Fanny Hill
Cult filmmaker Russ Meyer takes on directorial duties in Zugsmith s adaptation of the notorious erotic classic Fanny Hill. Set in pre-Victorian London, young Fanny finds herself taken in by a madame at one of the city s most elite brothels. A strange mix of Zugsmith s surreal slapstick and Meyer s trademark buxom beauties and thoughtful satire, Fanny Hill is an over-the-top saga of low-rent thrills in high-brow settings.
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Day of the Idiots
In this non-story of the mentally and emotionally impaired inhabitants of a clinic for the insane, the medical profession along with humanity is distorted into a long, filmic exhibition of sado-masochism, urination, and ample nudity for its own sake. Critics that support the avant-garde might feel that the lack of apparent purpose in each “idiot’s” (the title is “Day of the Idiots’) physical and emotional problems is a form of high art. The viewers will have to decide for themselves.
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Madonnas
A portrait of Rita, who claims that her mother was never a mother for her. Rita gives birth to her own five children and forces her mother to take the role of a mother.
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Treasure Island
A terrible storm is raging the night it all begins – with a knock on the door. 17-year-old Jim Hawkins helps his widowed mother run their little tavern on the coast of 19th century England. When the door is opened they are startled by a sight that makes their blood run cold…
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The Forger of London
A ring of counterfeiters is flooding the country with phony money, and suspicion falls upon a wealthy playboy who may–or may not–have amnesia.
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Count Dracula
Jess Franco’s version of the Bram Stoker classic has Count Dracula as an old man who grows younger whenever he dines on the blood of young maidens.
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The Nibelungs, Tale 1: Siegfried
A young hero defeats a dragon to find acceptance to the court of burgundy.
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The Actress
The year 1933: Successful actress Maria Rheine is in love with her Jewish colleague Mark Löwenthal. When the Nazis implement the racist Nuremberg Laws, their relationship is severely endangered. Defiant Maria decides to stay together with Mark and ends her promising career: She assumes a Jewish identity and continues to work under the name Manja Löwenthal. She and Mark perform at the Jewish Theatre in Berlin, until they become victims of an intrigue: Their colleague Judith, who has a crush on Mark, denounces them to the secret police.
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